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Oil Paintings
Come From United Kingdom
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. |
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Raphael
Transfiguration,
Transfiguration, 1520, unfinished at his death.
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Raphael
Portrait of Elisabetta Gonzaga,
Portrait of Elisabetta Gonzaga, ca. 1504
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Raphael
Portrait of Pope Julius II,
Portrait of Pope Julius II, ca. 1512
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Raphael
Portrait of Bindo Altoviti,
Portrait of Bindo Altoviti, ca. 1514
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Raphael
Portrait of Baldassare Castiglione
Portrait of Baldassare Castiglione, ca. 1515.
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Raphael
La Fornarina Raphael mistress.
La Fornarina, Raphael's mistress.
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Raphael
Sistine Madonna
Sistine Madonna 1513-14
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Raphael
the mass of bolsena
1512 to 14 ,fresco,259.875 in,660 cm(width at base),vatican museums and galleries,vatican city,ltaly
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Raphael
madonna of the pinks
national gallery, london
se
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Raphael
crucifixon with
the virgin SS. jerome, mary magdalen
and john the baptist
national gallery,london
olj on wood, 280x165cm
se
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Raphael
coronation of the virgin
pinacoteca vaticana, vatican city
se
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Raphael
vision of a knight
national gallery london
olj on wood 17x17cm
se
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Raphael
three graces muse'e conde,chantilly
se
olj on wood, 17x17
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Raphael
muse'e du louvre, paris
olj on wood, 31x27
se
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Raphael
far right: st. michael
muse'e du loure, paris
olj on wood, 31x27
se
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Raphael
marriage of the virgin
dated 1504
brera, milan
oil on wood,170x118cm
se
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Raphael
virgin and child
enthroned with ss. john the baptist and nicholas of bari
national gallry, london oil on wood,209x148
se
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Raphael
portrait of agnolo doni
pitti palace, florence
oil on panel, 63x45
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Raphael
portrait of maddalena
pitti palace, florence
oil on panel, 63x45
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Raphael
madonna conestabile
hermitage, st petersburg
tempera on panel, transferred to canvas, diameter 18cm.
se
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| Raphael
|
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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