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Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

 

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Raphael virgin and child with oil painting

Painting ID::  64788

X 
 

Raphael
virgin and child with
st. john the baptist the madonna of the meadow oil on panel, 113x88 se
   
   
     

 

 

Raphael virgin and child wild st. oil painting

Painting ID::  64789

X 
 

Raphael
virgin and child wild st.
john the baptist louvre, paris oil on panel,122x80cm
   
   
     

 

 

Raphael the palm tree oil painting

Painting ID::  64790

X 
 

Raphael
the palm tree
national gallery of scotland, edinburgh, on loan from the duke of sutherland wood transferred to canvas, diameter 140cm se
   
   
     

 

 

Raphael far right madonna del baldacchino oil painting

Painting ID::  64791

X 
 

Raphael
far right madonna del baldacchino
pitti palace, florence oil on panel, 277x224cm se
   
   
     

 

 

Raphael far leet :entombment oil painting

Painting ID::  64792

X 
 

Raphael
far leet :entombment
borghese gallery, rome oil on wood,184x176cm se
   
   
     

 

 

Raphael bridgewater madonna oil painting

Painting ID::  64793

X 
 

Raphael
bridgewater madonna
national gallyer of Scotland, edinburgh, on loan from the duke of sutherland oil on wodd, transferred tocanvas, 81x56cm se
   
   
     

 

 

Raphael st catherine oil painting

Painting ID::  64794

X 
 

Raphael
st catherine
national gallery, london. oil on wood, 71x56cm. se
   
   
     

 

 

Raphael stanza della segnatura oil painting

Painting ID::  64795

X 
 

Raphael
stanza della segnatura
vatican palace se
   
   
     

 

 

Raphael the ceiling of the stanza della segnatura, vatican palace oil painting

Painting ID::  64796

X 
 

Raphael
the ceiling of the stanza della segnatura, vatican palace
se
   
   
     

 

 

Raphael poetry oil painting

Painting ID::  64797

X 
 

Raphael
poetry
se
   
   
     

 

 

Raphael philosophy oil painting

Painting ID::  64798

X 
 

Raphael
philosophy
se
   
   
     

 

 

Raphael theology oil painting

Painting ID::  64799

X 
 

Raphael
theology
se
   
   
     

 

 

Raphael justice oil painting

Painting ID::  64800

X 
 

Raphael
justice
se
   
   
     

 

 

Raphael fresco, stanza della segnatura oil painting

Painting ID::  64801

X 
 

Raphael
fresco, stanza della segnatura
se
   
   
     

 

 

Raphael plato and aristotle detail of the school of athens oil painting

Painting ID::  64802

X 
 

Raphael
plato and aristotle detail of the school of athens
se
   
   
     

 

 

Raphael school of athens oil painting

Painting ID::  64803

X 
 

Raphael
school of athens
fresco stanza della segnatura se
   
   
     

 

 

Raphael apollo and a seated muse oil painting

Painting ID::  64804

X 
 

Raphael
apollo and a seated muse
detail of the parnassus in the stanza della segnatura se
   
   
     

 

 

Raphael parnassus oil painting

Painting ID::  64805

X 
 

Raphael
parnassus
fresco, stanza della segnatura
   
   
     

 

 

Raphael justice wall oil painting

Painting ID::  64806

X 
 

Raphael
justice wall
fresco, stanza della segnatura se
   
   
     

 

 

Raphael fortitude, and temperance, oil painting

Painting ID::  64807

X 
 

Raphael
fortitude, and temperance,
justice wall se
   
   
     

 

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Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.