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Raphael
Madonna di Foligno (mk08)
c.1512
Oil on wood,transferred to canvas,
301x198cm
Rome,Musei Vaticani
Pinacoteca Vaticanna
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Raphael
The Transfiguration (mk08)
c.1517-1520
Oil on canvas,
405x278cm
Rome,Musei Vaticani
Pinacoteca Vaticana
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Raphael
The School of Athens (mk08)
1511/12
Fresco,width c.800cm
Rome,Musei Vaticani
Stanza della Segnatura
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Raphael
The Charge to St Peter (mk25)
c 1515-16
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Raphael
Baldassare Castiglione (mk45)
Oil on canvas
82x67cm
Paris,Musee du Louvre
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Raphael
Details of Pope Leo X With Cardinals Giuliano de'Medici and Luigi de Rossi (mk45)
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Raphael
Portrait of the Artist with a Friend
mk52
1518
Oil on canvas
99x83cm
Louvre,Paris
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Raphael
The Sacrifice at Lystra
1515-16
bodycolour on paper mounted onto canvas
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Raphael
Christ Falls on the Road to Calvary
mk61
c.1517
Oil on canvas
318x229cm
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Raphael
The Madonna of the Fish
mk61
c.1513
Oil on canvas
215x158cm
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Raphael
The Holy Family wtih a Lamb
mk61
1507
Oil on panel
29x21cm
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Raphael
St.Michael Victorious,known as the Great St.Michael
mk60
1518
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Raphael
Portrait of a Cardinal
mk61
c.1510
Oil on panel
76x61cm
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Raphael
Portrait of a Woman
mk65
Oil on canvas
32 5/16x23 13/16in
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Raphael
Madona of the Chair
mk65
Oil on panel
27 15/16in
Pitti,Palatine Gallery
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Raphael
Portrait of Tommaso Inghirami
mk65
Oil on panel
35 1/4x24 1/2in
Pitti,
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Raphael
Madonna of the Cloth
mk65
Oil on panel
63x50in
Pitti,Palatine Gallery
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Raphael
Self-Portrait
mk67
Panel
15 5/8x13 11/16in
Uffizi,Gallery
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Raphael
The Deliverance of Saint Peter from Prison
mk68
Fresco.widthat Base
Vatican
Stanza di Eliodoro
1512-1514
Italy
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Raphael
Details of School of Athens
mk68
1510-1512
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| Raphael
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Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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