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Raphael
Sisting Madonna
mk156
1512-13
Oil on canvas
269x201cm
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Raphael
Madonna della Seggiola
mk156
c.1514-15
Oil on panel
Florence
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Raphael
Portrait of Pope Leo X with Cardinals Guillo de Medici and Luigi de Rossi
mk156
1518-19
Oil on panel
155.2x118.6cm
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Raphael
The Holy Family
mk159
c.1505
Oil and tempera on canvas
transferred from panel
72.5x57cm
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Raphael
The Conestabile Madonna
mk159
end of 1502-beginning of 1503
Tempera on canvas transferred from panel
17.5x18cm
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Raphael
The Madonna and Child with teh Infant Baptist
mk170
1509-1510
Oil on wood
38.7x32.7cm
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Raphael
The Madonna and Child Enthroned with Saint John the Baptist and Saint Nicholas of Bari
mk170
dated 1505
Oil on poplar
209.6x148.6cm
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Raphael
Saint John the Baptist Preaching
mk170
1505
Egg tempera on wood
23x53cm
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Raphael
The Vision of a Knight
mk170
1504-1505
Tempera on poplar
17.1x17.1cm
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Raphael
Saint Catherine of Alexandria
mk170
1506-1508
Oil on wood
71.5x55.7cm
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Raphael
The Virgin and Child with Saint Anne and Saint John the Baptist
mk170
1508
141.5x104.6cm
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Raphael
The Marriage of the Virgin
mk176
1504
67x46.5
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Raphael
The School of Athens
mk176
1509-11
freson
Stanza della Segnatura
Vatican,
Rome
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Raphael
Galatea
mk176
1513
Farnese Palace
Rome
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Raphael
Sistine Madonna
mk176
1513
Oil on canvas
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Raphael
The Miraculous Draught of fishes
mk216
it's a miracle tha Raphael's seven tapestry cartoons survive for they are paintd in warter-colour on a fragile jig-saw of paper piecces glued together.
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Raphael
Angel
nn09
c.1180
Stained glass
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Raphael
Detail of Madonna del Baldacchino
nn09
c.1507
Oil on wood
277x224cm
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Raphael
SaintMichael Trampling the Dragon
nn09
1518
Oil on canvas
270x160cm
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Raphael
Cartoon for Tapestry,Christ-s Charge to St.Peter
mk231
1515-16
Oil on paper
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| Raphael
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Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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