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J.M.W.Turner
The Fighting Temeraire,Tugged to her Last Berth to be broken up
mk129
1838
The Temeraire named after a French ship,
was a ship of the line of 98 guns.
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J.M.W.Turner
the hero of a hundred fights
1800-10 reworked 1847
oil on canvas 91x121cm tate, london
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J.M.W.Turner
aeneas and the sibyl, lake avernus
1798 oil on canvas 76.5x98.5cm
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J.M.W.Turner
radley hall from the south east
1789. pencil and watercolour with some pen and brown ink 29.4x43.8cm
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J.M.W.Turner
the archbishop's palace, lambeth
1790 pencil and watercolour 26.3x37.8cm
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J.M.W.Turner
caernarvon castle from picturesque views of the antiquities of england and wales
1786 24x39cm
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J.M.W.Turner
caernarvon castle from picturesque
1786 24x39cm
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J.M.W.Turner
the pantheon, the morning after the fire
1792, watercolour over pencil 39.5x51.5cm
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J.M.W.Turner
study of the head and torso of the apollo belvedere
1792 black and white chalks on buff-grey paper 41.9x26.9cm
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J.M.W.Turner
transcription of part of rooker's battle abbey
1792
watercolour 17.2x14.6cm
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J.M.W.Turner
christ church from near carfax
1796 watercolour over pencil with pen and dark ink 25x33.1cm
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J.M.W.Turner
south gate of sargans
1794-7 grey ink washes over pencil 24.1x37.4cm
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J.M.W.Turner
trancept of ewenny priory
glamorganshire, 1797 pencil watercolour scratching-out and stopping-out
40x55.9cm
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J.M.W.Turner
the dormitorg and trancept of fountain's abbey-evening
1798 watercolour 45.6x61cm
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J.M.W.Turner
morning amongst the coniston
1798 oil on canvas 123x89.7cm
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J.M.W.Turner
caernarvon castle
1799 watercolour over pencil 57x82.5cm
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J.M.W.Turner
valley of the glaslyn
near beddgelert, with dinas emrys 1799
watercolour with pencil 55.5x76.7cm
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J.M.W.Turner
dolbadarn castle
1800 oil on canvas 119.5x90.2cm
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J.M.W.Turner
the fifth plague of egypt
1800 oil on canvas 121.9x182.9cm
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J.M.W.Turner
dutch boats in a gale
fishermen endeavouring to put their fish on board
1800 oil on canvas 162.5x221cm
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| J.M.W.Turner
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English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
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