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J.M.W.Turner
the plym estuary from boringdon park
1813 oil on paper 23.5x29.8cm
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J.M.W.Turner
apullia in search of appullus vide ovid
1814. oil on canvas 146x238.5cm
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J.M.W.Turner
crossing the brook
1815 oil on canvas 193x165cm
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J.M.W.Turner
dido building carthage
1815 oil on canvas 1555.5x232cm
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J.M.W.Turner
leads
1816 watercolour 29x42.5cm
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J.M.W.Turner
crook of lune looking towards hornby castle
1817 pencil watercolour gouache and scratching-out 29.1x42.1cm
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J.M.W.Turner
the deline of the carthaginian empire
1817 oil on canvas 170x238.5cm
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J.M.W.Turner
bingen from the nahe
1817 watercolour and gouache with scratchingout 19.5x31.6cm
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J.M.W.Turner
caley hall
1818 watercolour and gouache on buff paper 29.9x41.4cm
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J.M.W.Turner
kingfisher
1815-20 watercolour over pencil with scratchingout 17.8x16.4cm
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J.M.W.Turner
first-rate
taking in stores 1818.
pencil watercolour scratchingout and stopping-out 28.6x39.7cm
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J.M.W.Turner
denis dighton
coldstream guards defending the chateau d' hougoumont at the batle of waterloo
1815 watercolour 64.7x100.3cm
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J.M.W.Turner
the field of waterloo
1818 oil on canvas 147.5x239cm
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J.M.W.Turner
england:richmond hill, on the prince regent's birthday
1819 oil on canvas 180x334.5cm
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J.M.W.Turner
venice san giorgio maggiore from the dogana
1819 watercolour 22.4x28.7cm
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J.M.W.Turner
the colosseum by moonlight
1819 pencil watercolour and gouache on grey washed paper 22.8x36.8cm
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J.M.W.Turner
view of naples in the distance
1819 pencil , partly finished in watercolour 25.4x40.7cm
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J.M.W.Turner
paestum
1825 mezzotint 15.4x21.6cm
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J.M.W.Turner
rome from the vatican
1820 oil on canvas 177x335.5cm
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J.M.W.Turner
the interior of st peter's basilica
1821 watercolour on board 29x41.4cm
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| J.M.W.Turner
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English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
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