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J.M.W.Turner
the bright stone of honour and the tomb of marceau
from byron's childe harold 1835
oil on canvas 93x123cm
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J.M.W.Turner
wreckerscoast of northumberland
with a steam-boat assisting a ship off shore
1834 oil on canvas 91.4x121.9cm
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J.M.W.Turner
bridge of sighs, ducal palace and custom house
venice canaletti painting 1833
oil on panel 51x82.5cm
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J.M.W.Turner
van goyen looking out for a subject
1833 oil on canvas 91.8x122.9cm
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J.M.W.Turner
the burning of the house of lords and commons
1834 -5 oil on canvas 92x123cm
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J.M.W.Turner
juliet and her nurse
1836 oil on canvas 92x123cm
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J.M.W.Turner
snow- storm avalanche and inundation-a scene in the upper part of the val d'aouste piedmont
1837. oil on canvas 91.5x122.5cm
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J.M.W.Turner
figures on the shore 1835-40
watercolour and gouache on grey paper
22.3x29.2cm
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J.M.W.Turner
the fighting temeraire
1838-39 oil on canvas 91x122cm
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J.M.W.Turner
klotten and burg coraidelstein from the west
1839 gouache and watercolour on blue paper 14x18.9cm
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J.M.W.Turner
slavers throwing overboard the dead and dying typhon
coming on 1840,
oil on canvas 91x138cm
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J.M.W.Turner
venice storm in the piazzetta
1840
watercolour gouache and scraping-out
with some pen and red colour 22.1x32.1cm
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J.M.W.Turner
schloss rosenau,
1841 oil on canvas 97x124.8cm
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J.M.W.Turner
ducal palace
dogana with part of san georgio venice
1841 oil on canvas 63.5x93cm
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J.M.W.Turner
the red rigi
lake of lucerne sunset
1842 watercolour 30.5x45.8cm
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J.M.W.Turner
goldau
1843 watercolour and scratching-out
30.5x47cm
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J.M.W.Turner
war the exile and the rock limpet
1842 oil on canvas 79.5x79.5cm
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J.M.W.Turner
peace burial at sea
1842 oil on canvas 87x86.5cm
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J.M.W.Turner
snow storm
1842 oil on canvas 91.5x122cm
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J.M.W.Turner
lights to warn steam-boats of shoalwater
1840 oil on canvas 91.8x122.2cm
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| J.M.W.Turner
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English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
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