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J.M.W.Turner
stangate creek on the river medway
1824 watercolour 16.1x24cm
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J.M.W.Turner
george iv at the provost's banquet, edinburgh
1822 oil on panel 68.5x91.8cm
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J.M.W.Turner
the bay of baiae with appllo and the sibyl
1823 oil on canvas 145.5x239cm
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J.M.W.Turner
mosel from the hillside at pallien
1824 pencil watercolour and chalk
22x29.1cm
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J.M.W.Turner
harbour of dieppe
1825 oil on canvas 173.7x225.4cm
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J.M.W.Turner
forum romanum
for mr soane's museum
1826 oil on canvas 145.5x237.5cm
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J.M.W.Turner
east cowes castle, the seat of j nash esq
the regatta beating to windward
1828, oil on canvas 90.2x120.7cm
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J.M.W.Turner
petworth park
tillington church in the distance
1828 oil on canvas 64.5x145.5cm
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J.M.W.Turner
the north gallery by moonlight
1827
pen, ink watercolour and gouache with scraping-out on blue paper
14.1x19.2cm
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J.M.W.Turner
regulus
1828, reworked
oil on canvas 91x124cm
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J.M.W.Turner
messieurs les voyageurs on their return from italy in a snow drift upon mount tarrar
1829, watercolour and gouache 54.5x74.7cm
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J.M.W.Turner
ulysses deriding polyphemus-homer's odyssey
1829 oil on canvas 132.5x203cm
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J.M.W.Turner
funeral of sir thomas lawrence
a sketch from memory 1830 watercolour and gouache 61.6x82.5cm
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J.M.W.Turner
a skeleton falling off a horse in mid-air
1825-30 oil on canvas 60x75.5cm
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J.M.W.Turner
sketch
1834
watercolour and pencil 101x77cm
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J.M.W.Turner
life-boat and manby apparatus going off to a stranded vessel
1831 oil on canvas 91.4x122cm
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J.M.W.Turner
dudley, worcestershire
1830-1 watercolour 28x42cm
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J.M.W.Turner
st catherine's hill
near guildford surrey 1831
watercolour and pencil 29x43cm
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J.M.W.Turner
keelmen heaving in coals by night
1835 oil on canvas 90.2x121.9cm
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J.M.W.Turner
boulevard des italiens
1833 watercolour and gouache on blue paper 13.8x18.7cm
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| J.M.W.Turner
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English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
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