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J.M.W.Turner
calais pier
with french poissards preparing for sea
1803 oil on canvas 172x240cm
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J.M.W.Turner
copy of tition's entombment
from the studies in the louvre sketcbook
1802 11.2x12.9cm
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J.M.W.Turner
the festival upon thr opening of the vintage at macon
1803 oil on canvas 146x237.5cm
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J.M.W.Turner
venus and adonis
1804 oil on canvas 149.9x119.4cm
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J.M.W.Turner
fall of the reichenbach in the valley of oberhasli switzertand
1804 watercolour, scratchingout and stopping-out 103x70.4cm
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J.M.W.Turner
the thames at isleworth with pavilion and syon ferry
seen from the surrey bank
1805 pen and ink on paper 17.1x26.2cm
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J.M.W.Turner
hampton cour from the thames
1806-7 oil on canvas 86x120cm
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J.M.W.Turner
the battle of trafalgar as seen from the mizen starboard shrouds of the victory
1806-8 oil on canvas 171x94cm
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J.M.W.Turner
a country blacksmith disputing upon the price of i ron and the price charged to the butcher for shoeing his poney
1807 oil on panel 55x78cm
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J.M.W.Turner
pope's villa at twickenham
1808 oil on canvas 91.5x120.6cm
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J.M.W.Turner
solway moss
1816, 17.6x25.7cm
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J.M.W.Turner
dumblain abbey, scotland
1806-7 pencil and watercolour 18.4x26cm
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J.M.W.Turner
the junction of the severn and the wye
1811 etched and engraved by j m w turner
18.2x26.2cm
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J.M.W.Turner
winchelsea, sussex
1812. etched by j m w turner , engraved by j c easling
etching and mezzotint
18.1x26.2cm
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J.M.W.Turner
martello towers near bexhill sussex
1811. 18x26cm
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J.M.W.Turner
ploughing up turnips, near slough
1809, oil on canvas 102x130cm
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J.M.W.Turner
dorchester mead
1810 oil on canvas 101.5x130cm
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J.M.W.Turner
poole, and distant view of corfe castle
dorsetshire 1811
watercolour 13.9x21.9cm
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J.M.W.Turner
snow storm
hannibal and his army crossing the alps
1812 oil on canvas 146x127.5cm
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J.M.W.Turner
frosty morning
1813 oil on canvas 113.5x174.5cm
tate, london
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| J.M.W.Turner
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English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
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