|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Self-Protrait (mk33)
1661
London,Kenwood House
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of Fam Six (mk33)
Amsterdam,Six-Stichting
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Madoma and Child wiht the infant Baptist (mk33)
London,National Gallery
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Family Group (mk33_
c.1665
Braunschweig,Herzog Anton Ulrich-Museum
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Woman bathing in a Stream (mk33)
1654
London,Nation Gallery
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Facob blessing the Sons of Foseph (mk33)
1656
Kassel,Schloss Wihelmshohe
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Self-portrait (mk33)
1669
London,
National Gallery
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Hasje van Cleyburgh (mk33)
163
Amsterdam,Rijksmuseum
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Musical company (mk33)
1626
Amsterdam,Rijksmuseum.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datails of Musical Company (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datails of Musical Company (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Artist in his studion (mk33)
1629
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
St Paul at his Writing-Desk (mk33)
1629-30
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Nightmatch (mk33)
1642
Amsterdam,Rijksmuseum
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Detail of The Nightwatch (mk33)
Amsterdam,Rijksmuseum
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Detail of The Nightwatch (mk33)
1642
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Feremiab lamenting the Destrution of Ferusalem (mk33)
1630
Panel.
58.3x46.6cm
monogrammed and dated
RHL1630
Amsterdam,Rijksmuseum,Inv No.A3276
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Detail of The Nightwatch (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Detail of The Nightwatch (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Detail of Feremiab lamenting the Destrution of Ferusalem (mk33)
Amsterdam,Rijksmuseum
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| REMBRANDT Harmenszoon van Rijn
|
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
|
