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REMBRANDT Harmenszoon van Rijn
The Risen Christ Appearing to Mary Magdalen st
1638
Oil on wood, 61 x 49,5 cm
Royal Collection, Buckingham Palace, London
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REMBRANDT Harmenszoon van Rijn
The Incredulity of St Thomas sg
1634
Oil on wood, 53 x 51 cm
Pushkin Museum, Moscow
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REMBRANDT Harmenszoon van Rijn
The Blinding of Samson
1636
Oil on canvas, 236 x 302 cm
Städelsches Kunstinstitut, Frankfurt
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REMBRANDT Harmenszoon van Rijn
Saul and David
1655-60
Oil on canvas, 130,5 x 164 cm
Mauritshuis, The Hague
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REMBRANDT Harmenszoon van Rijn
St Paul at his Writing-Desk
1629-30
Oil on wood, 47 x 39 cm
Germanisches Nationalmuseum, Nuremberg
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REMBRANDT Harmenszoon van Rijn
Suzanna in the Bath
1647
Oil on panel, 76 x 91 cm
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
Self Portrait Bareheaded (mk05)
1633
Wood 23 1/2 x 18 1/2''(60 x 47 cm)Early collection INV
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REMBRANDT Harmenszoon van Rijn
The Archangel Leaving the Family of Tobias (mk05)
Wood ,26 x 20 1/2''(66 x 52 cm)Collection of Louis XV acquired in 1742
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REMBRANDT Harmenszoon van Rijn
Albert Cuper (mk05)
1632
Wood 24 x 17 1/2''(61 x 45 cm)Entered the Louvre in 1933
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REMBRANDT Harmenszoon van Rijn
Cornelia Pronck wife of Albert Cuyper (mk05)
Wood ,23 1/2 x 18 1/2''(60 x 47 cm)Entered the Louvre in 1933
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REMBRANDT Harmenszoon van Rijn
Self Portrait with a Gold Chain (mk05)
Wood 27 1/2 x 21 ''(70 x 53 cm)Seized in the Revolution 1INV
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REMBRANDT Harmenszoon van Rijn
The Supper at Emmaus (mk05)
1648
Wood 27 x 25 1/2 ''(68 x 65 cm)Acquired in 1777
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REMBRANDT Harmenszoon van Rijn
Hemdrickje Stoffels (mk05)
Canvas 29 1/4 x 24''(74 x 61 cm)Collection of Louis XVI; acquired in 1784
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REMBRANDT Harmenszoon van Rijn
Self-portrait (mk08)
1658
Oil on canvas
133.5x104cm
New York,The Frick Collection
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REMBRANDT Harmenszoon van Rijn
The Aristst in his Studio (mk08)
C.1626-1628
Oil on canvas.
25.5x32cm
Boston,Museum of Fine Arts
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REMBRANDT Harmenszoon van Rijn
The Night Watch (mk08)
1642
Oil on canvas,363x437cm
Amsterdam,Rijksmuseum
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REMBRANDT Harmenszoon van Rijn
The Anatomy Lesson of Dr.Nicolaes Tulp (mk08)
1632
Oil on canvas,
162.5x216.5cm
The Hague,Mauritshuis
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REMBRANDT Harmenszoon van Rijn
The Anatomy Lesson of Dr.Nicolaes Tulp (mk08)
1632
Oil on canvas,
162.5x216.5cm
The Hague,Mauritshuis
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REMBRANDT Harmenszoon van Rijn
The Night Watch (mk08)
1642
Oil on canvas,363x437cm
Amsterdam,Rijksmuseum
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REMBRANDT Harmenszoon van Rijn
Self-portrait aged 63 (mk08)
1669
Oil on canvas.
86x70.5cm
London,National Gallery
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| REMBRANDT Harmenszoon van Rijn
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Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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