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REMBRANDT Harmenszoon van Rijn
portrait of Frederick Ribel on horseback (mk33)
London,
The National Gallery
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REMBRANDT Harmenszoon van Rijn
workshop (mk33)
Stuttagrt,Staatsgalerie
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REMBRANDT Harmenszoon van Rijn
Old man with gorget and black cap (mk33)
c,.1631
Chicago
The Art Institute of Chicago,
The lines indicate the original size of the panel
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REMBRANDT Harmenszoon van Rijn
Portrait of a man trimming his quill (mk33)
1632
Kassel,Schloss Whlhelmashohe
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REMBRANDT Harmenszoon van Rijn
Portrait of a young woman seated (mk33)
1632
Cavas,
92x71cm
sigen and dated Rhl
Vienna,Akadermie der Bildenden Kunste,Gemaldegalerie
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REMBRANDT Harmenszoon van Rijn
Portrait of a young woman seted, (mk330
Vienna,Akademie der bildenden Kunste
The Lines indicate the original size of the paiting
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REMBRANDT Harmenszoon van Rijn
Portrait of a woman with a fan (mk33)
1633
New York,The Metropolitan Museum of Art
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REMBRANDT Harmenszoon van Rijn
Lanscape (mk33)
1640
Paris,Louvre
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REMBRANDT Harmenszoon van Rijn
Tobit and Anna with the Kid (mk33)
1626
Amsterdam,Rijksmuseum
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REMBRANDT Harmenszoon van Rijn
David playing the Harp for aul (mk330
panel.Frankfurt
Stadelsches Kunstinstitut
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REMBRANDT Harmenszoon van Rijn
The Polish rider (mk33)
New York
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REMBRANDT Harmenszoon van Rijn
The Artiest in his Studio (mk33)
C.1629
panel
25x32cm
Boston,Museum of Fine Arts
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REMBRANDT Harmenszoon van Rijn
Self-portrait (mk33)
1629
Munich,
Alte Pinakothek
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REMBRANDT Harmenszoon van Rijn
Self-portrait (mk33)
c.1629
Panel,
37.9x28.9cm
The Hague,Royal Picture Gallery
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REMBRANDT Harmenszoon van Rijn
St paul at his Writing-Desk (mk33)
c.1629/30
Panel.
47.2x38.6cm
Germanisches Nationalmuseum
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REMBRANDT Harmenszoon van Rijn
An old woman at prayer (mk33)
c.1629/30
Copper
15.5x12.2cm
Signed R Salzburg,Salzburger Landessammlungen-Residenzgalerie,
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REMBRANDT Harmenszoon van Rijn
Bust of an old man in a fur cap (mk33)
1630
Panel
22.2x17.7cm
monogrammed and dated
RHL 1630
Innsbruck Tiroler Landesmuseum Ferdinan-deum
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REMBRANDT Harmenszoon van Rijn
A Man in oriental dress known as
1632
Canvas
152.5x124cm
signed and dated
New York,The Metropolitan Museum of Art
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REMBRANDT Harmenszoon van Rijn
Portrait of a man trimming his quill (mk33)
1632
Kassel,Staatliche Kunstsammlungen Kassel,
Schloss Wilhelmshohe
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REMBRANDT Harmenszoon van Rijn
Portrait fo Maurits Huygens (mk33)
1632
Panel
31.1x24.5cm at the bottom with a strip of wood more than i cm wide and reduced slightly on the right
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| REMBRANDT Harmenszoon van Rijn
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Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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