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REMBRANDT Harmenszoon van Rijn
A Scholar
1631
Oil on canvas, 104,5 x 92 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Portrait of Eleazer Swalmius
1637
Oil on canvas, 132 x 109 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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REMBRANDT Harmenszoon van Rijn
Young Jew as Christ
c. 1656
Oil on wood, 25 x 21,5 cm
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
Aristotle with a Bust of Homer jh
1653
Oil on canvas, 143.5 x 136.5 cm
Metropolitan Museum of Art, New York
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REMBRANDT Harmenszoon van Rijn
Artemisia
1634
Oil on canvas, 142 x 152 cm
Museo del Prado, Madrid
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REMBRANDT Harmenszoon van Rijn
Hendrickje Bathing in a River
1654
Oil on panel, 61.8 x 47 cm
National Gallery, London
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REMBRANDT Harmenszoon van Rijn
Danae
1636-47
Oil on canvas, 165 x 203 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Danae (detail) sry
1636-47
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Danae (detail)
1636-47
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Rape of Ganymede dh
1635
Oil on canvas, 171 x 130 cm
Gemäldegalerie, Dresden
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REMBRANDT Harmenszoon van Rijn
Landscape with a Stone Bridge dyu
c. 1637
Oil on panel, 29,5 x 42,5 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Moneychanger (detail) dry
1627
Oil on wood, 32 x 42 cm (full picture)
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
The Music Party dhd
1626
Oil on wood
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Polish Rider
1655
Oil on canvas, 114,9 x 135 cm
Frick Collection, New York
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REMBRANDT Harmenszoon van Rijn
Stormy Landscape wsty
c. 1638
Oil on wood, 52 x 72 cm
Herzog Anton-Ulrich-Museum, Braunschweig
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REMBRANDT Harmenszoon van Rijn
Adoration of the Shepherds
1646
Oil on canvas, 97 x 71,5 cm
Alte Pinakothek, Munich
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REMBRANDT Harmenszoon van Rijn
Balaam's Ass
1626
Oil on panel, 63 x 46,5 cm
Mus??e Cognacq-Jay, Paris
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REMBRANDT Harmenszoon van Rijn
Bathsheba at Her Bath f
1654
Oil on canvas, 142 x 142 cm
Mus??e du Louvre, Paris
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REMBRANDT Harmenszoon van Rijn
Jeremiah Lamenting the Destruction of Jerusalem g
1630
Oil on panel, 58,3 x 46,6 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
Joseph Accused by Potiphar's Wife
1655
Oil on canvas, 106 x 98 cm
National Gallery of Art, Washington
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| REMBRANDT Harmenszoon van Rijn
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Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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