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RAFFAELLO Sanzio
Virgin Mary
mk243
1504
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RAFFAELLO Sanzio
Mrs Yili
mk243
1504-1505
58x36cm
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RAFFAELLO Sanzio
Dragon and Iimi
mk243
1504-1505
58x36cm
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RAFFAELLO Sanzio
Kill dragon
mk243
1505
29.5x25.5cm
Oil on board
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RAFFAELLO Sanzio
Kill dragon
mk243
1504-1506
28.5x21.5cm
Oil on canvas
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RAFFAELLO Sanzio
Three woman
mk243
1504-1505
17x17cm
Oil on board
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RAFFAELLO Sanzio
Portrait of woman
mk243
1505-1506
66x52cm
Oil on canvas
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RAFFAELLO Sanzio
Portrait of younger woman
mk243
1505-1506
65x51cm
Oil on canvas
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RAFFAELLO Sanzio
The virgin mary on the grass
mk243
1506
113x88cm
Oil on board
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RAFFAELLO Sanzio
Blessing
mk243
1506
30x25cm
Oil on canvas
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RAFFAELLO Sanzio
Portrait of Madali
mk243
1506
63x45cm
Oil on board
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RAFFAELLO Sanzio
Virgin Mary and her son
mk243
1506
274x152cm
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RAFFAELLO Sanzio
Portrait of Duni
mk243
63x45cm
1506
Oil on board
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RAFFAELLO Sanzio
Self-Portrait
mk243
1506
45x33cm
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RAFFAELLO Sanzio
Dumb
mk243
1507
64x48cm
Oil on board
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RAFFAELLO Sanzio
Christ
mk243
1507
Oil on board
184x176cm
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RAFFAELLO Sanzio
Detail of Christ
mk243
1507
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RAFFAELLO Sanzio
Meditation
mk243
1508
120x105cm
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RAFFAELLO Sanzio
Original sin
mk243
1508
120x105cm
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RAFFAELLO Sanzio
Apaul and Musi
mk243
1508
120x105cm
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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