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RAFFAELLO Sanzio
Holy Family below the Oak
1518
Oil on wood,
144 x 110 cm
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RAFFAELLO Sanzio
Portrait of Jeanne d-Aragon
1518
Oil on wood
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RAFFAELLO Sanzio
The Sibyls
c. 1514
Fresco, width at base 615 cm
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RAFFAELLO Sanzio
The Loggia of Psyche
1517
Fresco Villa Farnesina
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RAFFAELLO Sanzio
Christ Falls on the Way to Calvary
1517
Oil on panel
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RAFFAELLO Sanzio
View of the Stanza di Eliodoro
c. 1512
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RAFFAELLO Sanzio
The Expulsion of Heliodorus from the Temple
1511-12
Fresco, width at the base 750 cm
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RAFFAELLO Sanzio
The Separation of Land and Water
1518-19
Fresco Loggia on the second floor
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RAFFAELLO Sanzio
The Creation of the Animals
1518-19
Fresco Loggia on the second floor
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RAFFAELLO Sanzio
The Mass at Bolsena
1512 Fresco
width at the base 660 cm
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RAFFAELLO Sanzio
The Coronation of Charlemagne
1516-17 Fresco
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RAFFAELLO Sanzio
The Judgment of Solomon
1518-19
Fresco Loggia on the second floor
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RAFFAELLO Sanzio
Vision of the Cross
1520-24
Fresco Stanza di Constantino
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RAFFAELLO Sanzio
Isaac and Rebecca Spied upon by Abimelech
1518-19
Fresco Loggia on the second floor
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RAFFAELLO Sanzio
The Meeting between Leo the Great and Attila
1514 Fresco
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RAFFAELLO Sanzio
The Cardinal Virtues
1511
Fresco, width at the base 660 cm
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RAFFAELLO Sanzio
Justinian Presenting the Pandects to Trebonianus
1511
Fresco, width at the base 110 cm
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RAFFAELLO Sanzio
The Loggetta of Cardinal Bibbiena
1516-17
Fresco Palazzi Pontifici
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RAFFAELLO Sanzio
Decoration of the Loggetta
1516-17
Fresco Palazzi Pontifici
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RAFFAELLO Sanzio
The Parnassus
1509-10
Fresco, width at base 670 cm
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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