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RAFFAELLO Sanzio
St John the Baptist
c. 1518
Oil on canvas,
165 x 147 cm
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RAFFAELLO Sanzio
Psyche Offering Venus the Water of Styx
1517
Red chalk,
263 x 197 mm
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RAFFAELLO Sanzio
St Paul Preaching in Athens
Tempera on paper,
mounted on canvas,
390 x 440 cm
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RAFFAELLO Sanzio
The Handing-over the Keys
1515
Tempera on paper
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RAFFAELLO Sanzio
The Death of Ananias
1515
Tempera on paper
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RAFFAELLO Sanzio
Waist-length Figure of a Young Woman
1506
Pen and ink over stylus underdrawing, .
262 x 189 mm
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RAFFAELLO Sanzio
Study for the Disputa
1509
Brush and white highlighting over stylus underdrawing, 280 x 285 mm
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RAFFAELLO Sanzio
Loggia of Pope Leo X
1518-19
Palazzi Pontifici
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RAFFAELLO Sanzio
Madonna della Tenda
1514 Oil on wood, 65,8 x 51,2 cm
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RAFFAELLO Sanzio
Double Portrait
1518 Oil on canvas, 90 x 83 cm
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RAFFAELLO Sanzio
The Baptism of Constantine
1520-24 Fresco Stanza di Constantino
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RAFFAELLO Sanzio
The Battle at Pons Milvius
1520-24
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RAFFAELLO Sanzio
Moses Saved from the Water
1518-19 Fresco Loggia on the second floor
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RAFFAELLO Sanzio
Christ relive
mk243
1501
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RAFFAELLO Sanzio
Angel
mk243
1500-1501
31x27cm
Oil on board
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RAFFAELLO Sanzio
Shesibasi
mk243
1501-1502
43x34cm
Oil on board
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RAFFAELLO Sanzio
The virgin mary and christ
mk243
1496-1497
97x67cm
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RAFFAELLO Sanzio
The virgin mary
mk243
1502-1503
Oil on canvas
267x163cm
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RAFFAELLO Sanzio
Christ on the cross
mk243
1503
279x166cm
Oil on canvas
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RAFFAELLO Sanzio
Wedding
mk243
1504
170x117cm
Oil on board
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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