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RAFFAELLO Sanzio
Lady with a Unicorn dfg
c. 1505
Oil on wood, 65 x 51 cm
Galleria Borghese, Rome
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RAFFAELLO Sanzio
The Blessing Christ
c. 1506
Oil on wood, 30 x 25 cm
Pinacoteca Tosio Martinengo, Brescia
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RAFFAELLO Sanzio
Self-Portrait er78
1506
Oil on wood, 45 x 33 cm
Galleria degli Uffizi, Florence
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RAFFAELLO Sanzio
Portrait of Agnolo Doni
1506
Oil on wood, 63 x 45 cm
Galleria Palatina (Palazzo Pitti), Florence
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RAFFAELLO Sanzio
Portrait of Maddalena Doni ft
1506
Oil on panel, 63 x 45 cm
Galleria Palatina (Palazzo Pitti), Florence
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RAFFAELLO Sanzio
Madonna del Cardellino ert
1507
Oil on wood, 107 x 77 cm
Galleria degli Uffizi, Florence
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RAFFAELLO Sanzio
The Virgin and Child with Saint John the Baptist (La Belle Jardinire) af
1507
Oil on wood, 122 x 80 cm
Mus??e du Louvre, Paris
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RAFFAELLO Sanzio
Madonna with Beardless St Joseph sy
1506
Tempera on canvas transferred from wood, 74 x 57 cm
The Hermitage, St. Petersburg
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RAFFAELLO Sanzio
The Entombment sys
1507
Oil on wood, 184 x 176 cm
Galleria Borghese, Rome
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RAFFAELLO Sanzio
The Entombment (detail) st
1507
Oil on wood
Galleria Borghese, Rome
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RAFFAELLO Sanzio
Madonna of Loreto (Madonna del Velo) at
1509-10
Oil on wood, 120 x 90 cm
Mus??e Cond??, Chantilly
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RAFFAELLO Sanzio
Aldobrandini Madonna (Garvagh Madonna)
1510
Oil on wood, 38,7 x 32,7 cm
National Gallery, London
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RAFFAELLO Sanzio
Madonna with the Blue Diadem
1510-11
Oil on wood, 68 x 44 cm
Mus??e du Louvre, Paris
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RAFFAELLO Sanzio
Portrait of a Cardinal
1510-11
Oil on wood, 79 x 61 cm
Museo del Prado, Madrid
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RAFFAELLO Sanzio
The Triumph of Galatea (detail)
1511
Fresco
Villa Farnesina, Rome
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RAFFAELLO Sanzio
The Triumph of Galatea (detail)
1511
Fresco
Villa Farnesina, Rome
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RAFFAELLO Sanzio
The Alba Madonna
1511
Oil on canvas, diameter 98 cm
National Gallery of Art, Washington
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RAFFAELLO Sanzio
St George and the Dragon
1505-06
Oil on wood,
28.5 x 21.5 cm
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RAFFAELLO Sanzio
Disputation of the Holy Sacrament
1510-11
Fresco,
width at the base
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RAFFAELLO Sanzio
Madonna with the Fish
1512-14
Oil on canvas
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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