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Jacopo Tintoretto
Self-Portrait
mk52
c.1545-50
Oil on canvas
45.7x38cm
Philadelphia Museum of Art
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Jacopo Tintoretto
Self-Portrait
mk52
1587
Oil on canvas
62.5x52cm
Louvre,Paris
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Jacopo Tintoretto
Leda and the Swan
mk65
Oil on canvas
58 1/16x5/ 1/16in
Uffizi
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Jacopo Tintoretto
St.George and the Dragon
mk65
Oil on canvas
48x36"
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Jacopo Tintoretto
The Birth of St.John the Baptist
mk65
Oil on canvas
71x105"
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Jacopo Tintoretto
Diana and Endymion
mk67
Oil on canvas
57 1/16x107 1/16in
Pitti,Meridiana
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Jacopo Tintoretto
Portrait of a Gentleman in a Fur
mk67
Oil on canvas
42 15/16x35 13/16in
Pitti
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Jacopo Tintoretto
Portrati of Alvise Cornaro
mk67
Oil on canvas
44 1/2x33 7/16in
Pitti,Palatine Gallery
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Jacopo Tintoretto
Portrait of Jacopo Sansovino
mk67
Oil on canvas
27 9/16x25 9/16in
Uffizi,Depository
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Jacopo Tintoretto
Micacle of Saint Mark
mk68
Oil on canvas
13'6"x17'9"
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Jacopo Tintoretto
Bacchus and Ariadne
mk68
Oil on canvas
4' 9 1/2x5' 3 3/4"
Venice,
1576
Italy
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Jacopo Tintoretto
Last Supper
mk68
Oil on canvas
12'x8'7"
Venice
Church of San Giorgio Maggiore
1592-1594
Italy
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Jacopo Tintoretto
Portrait of a Venetian Procurator
mk29
Oil on canvas
113.3x88.9cm
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Jacopo Tintoretto
Marriage of Bacchus and Ariadne
mk157
1577-78
Oil on canvas
146x167cm
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Jacopo Tintoretto
Gathering of Manna
mk157
c.1590
Oil on canvas
377x576cm
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Jacopo Tintoretto
Last Supper
mk157
1592-94
Oil on canvas
365x568cm
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Jacopo Tintoretto
Presentation of the Virgin at the Temple
mk157
1552
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Jacopo Tintoretto
Gentleman Portrait
mk261 Venice 1550 oil on canvas 109 x 91 cm
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Jacopo Tintoretto
Die Schlacht am Taro
Medium Oil on canvas
Dimensions 270 X 422
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Jacopo Tintoretto
St Roch in Prison Visited by an Angel
Medium Oil on canvas
Dimensions 300 x 670 cm
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| Jacopo Tintoretto
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1518-1594
Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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