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Jacopo Tintoretto
Christi Himmelfahrt
c. 1576-1581
Oil on canvas
538 X 325 cm
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Jacopo Tintoretto
Saint Roch
Date 1579-81
Medium Oil on canvas
Dimensions 250 x 80 cm
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Jacopo Tintoretto
The Origin of the Milky Way
c. 1575
Oil on canvas
148 X 165 cm
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Jacopo Tintoretto
Origin of the Milky Way
Deutsch: um 1575
English: c. 1575
Medium Oil on canvas
Dimensions Deutsch: 148 ?? 165 cm
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Jacopo Tintoretto
Tamar und Juda
1555 - 1559
Medium Oil on canvas
Dimensions 150 ?? 155 cm
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Jacopo Tintoretto
St Jerome
Date ca. 1550(1550)
Medium Oil on canvas
Dimensions 75 x 51 cm (29.5 x 20.1 in)
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Jacopo Tintoretto
Doge of Venice Gerolamo Priuli
Oil on canvas
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Jacopo Tintoretto
Taufe Christi
2nd half of 16th century
Medium Oil on canvas
Dimensions Deutsch: 137 x 105 cm
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Jacopo Tintoretto
Joseph und die Frau des Potiphar
c. 1544
Medium Oil on canvas
Dimensions Deutsch: 54 x 117 cm
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Jacopo Tintoretto
Moses schlagt Wasser aus dem Felsen
Date 1577(1577)
Medium Oil on canvas
Dimensions Deutsch: 554 x 526 cm
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Jacopo Tintoretto
Bacchus und Ariadne
1578(1578)
Medium Oil on canvas
Dimensions Deutsch: 146 x 157 cm
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Jacopo Tintoretto
Der Hl. Georg und der Drachen
c. 1560
Medium Oil on canvas
Dimensions Deutsch: 158 x 100 cm
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Jacopo Tintoretto
Bergung des Leichnams des
between 1562(1562) and 1566(1566)
Medium Oil on canvas
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Jacopo Tintoretto
The descent from the Cross
c. 1578-1580
Medium oil on canvas
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Jacopo Tintoretto
Die Himmelfahrt Christi
1578-1581
Medium oil on canvas
Dimensions Deutsch: 539 x 325 cm
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Jacopo Tintoretto
Joseph und die Frau des Potiphar
oil on canvas
Dimensions Deutsch: 54 x 117 cm
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Jacopo Tintoretto
Portrait of a Venetian admiral.
1570s
Medium oil on canvas
Dimensions 81 x 68 cm (31.9 x 26.8 in)
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Jacopo Tintoretto
Portrat des Bildhauers Jacopo Sansovino
1560-1570
Medium oil on canvas
Dimensions Deutsch: 70 x 66 cm
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Jacopo Tintoretto
Doge of Venice Gerolamo Priuli
oil on canvas
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Jacopo Tintoretto
Portrait of Nicolaus Padavinus
1589(1589)
Medium oil on canvas
Dimensions 116 x 89 cm (45.7 x 35 in)
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| Jacopo Tintoretto
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1518-1594
Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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