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Georg Flegel
Vorbereitung zur Mahlzeit
Medium Oil on canvas
Dimensions 44 x 66 cm (17.3 x 26 in)
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Georg Flegel
Grosses Blumenstuck
Oil on canvas
Dimensions 61 x 44 cm (24 x 17.3 in)
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Georg Flegel
Still life with herring und Bartmann jug
Medium Oil on oak panel
Dimensions 25.5 x 32.5 cm (10 x 12.8 in)
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Georg Flegel
Blumen, Romer und Stieglitz auf Weissbrotwecken in einer Nische
Medium Oil on canvas
Dimensions 61 x 44 cm (24 x 17.3 in)
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Georg Flegel
Stilleben mit Kase und Kirschen
1635(1635)
Medium Oil on oak panel
Dimensions 18,4x25cm
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Georg Flegel
Still Life with Stag Beetle
Date 1635(1635)
Medium Oil on wood
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Georg Flegel
Vorbereitung zur Mahlzeit
Oil on canvas
Dimensions 44 x 66 cm (17.3 x 26 in)
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Georg Flegel
Still life with herring und Bartmann jug
Oil on oak panel
Dimensions 25.5 x 32.5 cm (10 x 12.8 in)
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Georg Flegel
Blumen
Oil on canvas
Dimensions 61 x 44 cm (24 x 17.3 in)
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Georg Flegel
Still-Life with Fish
Date 1637(1637)
Medium Oil on wood
Dimensions Height: 19 cm (7.5 in). Width: 15 cm (5.9 in).
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Georg Flegel
Still Life with Stag Beetle
1635(1635)
Medium Oil on wood
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Georg Flegel
Still-Life with Fish
1637(1637)
Medium oil on panel
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Georg Flegel
Still Life with Stag Beetle
1635(1635)
Medium oil on panel
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Georg Flegel
Still-Life with Bread and Confectionary
first half of 17th century
Medium oil on panel
Dimensions Height: 21.7 cm (8.5 in). Width: 17 cm (6.7 in).
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Georg Flegel
Stilleben mit Kerze
1631
Medium oil on linden
Dimensions 34.9 X 22.8 cm (13.7 X 9 in)
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Georg Flegel
Vorratskammer bei Kerzenlicht
circa 1630-1635
Medium oil on canvas
Dimensions 72.5 x 60 cm (28.5 x 23.6 in)
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Georg Flegel
Pipes and tobacco on a pewter plate
17th century
Medium oil on panel
Dimensions 52.1 X 64.1 cm
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Georg Flegel
Zitronen in einer Schale
first half of 17th century?
Medium oil on panel
Dimensions 49.2 X 63.5 cm
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Georg Flegel
Peaches
circa 1630(1630)
Medium oil on panel
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| Georg Flegel
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1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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