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Georg Flegel
Style life with herring beard man pitcher and Hirschkafer
MK186
1635
Koln, Wallraf-Richartz-museum
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Georg Flegel
Dessert style life
mk186
around 1610 Munchen, old Pinakothek
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Georg Flegel
Style life with parrot
mk186
1630-38 munchen, old Pinakothek
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Georg Flegel
Style life with wine glass and pretzel
mk186
1637 Munster, Landesmusuem
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Georg Flegel
Still life
mk244
Oil on canvas
78x67cm
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Georg Flegel
Maus und Papagei
Title Deutsch: Wein und Konfekt, Maus und Papagei
Technique Öl auf Birnen- oder Rotbuchenholz
Dimensions 22 X 28 cm (8.66 X 11.02 in)
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Georg Flegel
Krammetsvogel und Maronen
163x
Öl auf Rotbuche
25,5x24cm
cjr
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Georg Flegel
Krammetsvogel und Maronen
Date 163x
Medium Öl auf Rotbuche
Dimensions 25,5x24cm
cyf
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Georg Flegel
Still-life with Parrot
Oil on canvas
78 x 67 cm
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Georg Flegel
Stilleben mit Brot und Zuckerwerk
Oil on panel
21,9x17,1cm
cjr
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Georg Flegel
Grobe Mahlzeitdarstellung
1638
29,5x46cm
cjr
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Georg Flegel
Abendmahlzeit bei Kerzenschein
35,5x25cm
cjr
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Georg Flegel
Kerzenstilleben
Öl auf Buchenholz
21,9x15,8cm
cjr
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Georg Flegel
Still life with Parrot
undated (16th or 17th century)
Medium Oil on canvas
Dimensions 78 x 67 cm
cyf
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Georg Flegel
Stilleben mit Brot und Zuckerwerk
Medium Oil on panel
Dimensions 21,9x17,1cm
cyf
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Georg Flegel
Grobe Mahlzeitdarstellung
Date 1638(1638)
Medium Öl auf Kupfer
Dimensions 29,5x46cm
cyf
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Georg Flegel
Grosses Blumenstuck
Oil on canvas
61 ?? 44 cm (24 ?? 17.3 in)
cjr
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Georg Flegel
Abendmahlzeit bei Kerzenschein
Medium Öl auf Holz
Dimensions 35,5x25cm
cyf
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Georg Flegel
Kerzenstilleben
Medium Öl auf Buchenholz
Dimensions 21,9x15,8cm
cyf
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Georg Flegel
Schrankbild
Oil on canvas
92 x 62 cm (36.2 x 24.4 in)
cjr
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| Georg Flegel
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1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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