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Francisco de goya y Lucientes
Portrait of Juan Antonio Cuervo
1819
Oil on canvas,
120 x 87 cm
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Francisco de goya y Lucientes
Self-Portrait with Doctor Arrieta
1820
Oil on canvas,
117 x 79 cm
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Francisco de goya y Lucientes
St Peter Repentant
1823-25
Oil on canvas,
29 x 25,5 cm
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Francisco de goya y Lucientes
Juan Bautista de Muguiro
1827
Oil on canvas,
103 x 85 cm
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Francisco de goya y Lucientes
Atropos
1821-23
123 x 266 cm
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Francisco de goya y Lucientes
Duel with Cudgels
1820-23
Oil on canvas,
123 x 266 cm
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Francisco de goya y Lucientes
Two Women and a Man
1820-21
125 x 66 cm
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Francisco de goya y Lucientes
Witches Sabbath
1820-23
140 x 438 cm
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Francisco de goya y Lucientes
A Pilgrimage to San Isidro
1820-23
140 x 438 cm
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Francisco de goya y Lucientes
Two Monks
1821-23
144 x 66 cm
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Francisco de goya y Lucientes
Two Women Eating
1821-23
53 x 85 cm
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Francisco de goya y Lucientes
The Quail Shoot
1775
Oil on canvas,
290 x 226 cm
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Francisco de goya y Lucientes
A Walk in Andalusia
1777
Oil on canvas,
275 x 190 cm
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Francisco de goya y Lucientes
Dance of the Majos at the Banks of Manzanares
1777
Oil on canvas,
272 x 295 cm
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Francisco de goya y Lucientes
The Crockery Vendor
1779
Oil on canvas,
259 x 220 cm
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Francisco de goya y Lucientes
Fight with a Young Bull
c. 1780
Oil on canvas,
259 x 136 cm
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Francisco de goya y Lucientes
The Count of Florida blanca
1783
Oil on canvas,
262 x 166 cm
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Francisco de goya y Lucientes
Marqueza Pontejos
c. 1786
Oil on canvas,
212 x 126 cm
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Francisco de goya y Lucientes
The Meadow of San Isidro on his Feast Day
1788
Oil on canvas,
44 x 94 cm
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Francisco de goya y Lucientes
Pilgrimage to the Church of San Isidro
1788
Oil on canvas,
42 x 44 cm
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| Francisco de goya y Lucientes
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b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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