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Francisco de goya y Lucientes
Blazers
MK169
21.5x15cm
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Francisco de goya y Lucientes
Saturn devours harm released one of its chin-
mk169
1820-23
Mural in oil paint and on cloth over-brought
146x83cm
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Francisco de goya y Lucientes
Manola
1820-23
Oil on canvas,
147 x 132 cm
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Francisco de goya y Lucientes
The Miracle of St Anthony
diameter c. 550 cm
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Francisco de goya y Lucientes
Portrait of a Lady with a Fan
1806-07
Oil on canvas,
103 x 83 cm
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Francisco de goya y Lucientes
Maja and Celestina
1808-12
Oil on canvas,
166 x 108 cm
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Francisco de goya y Lucientes
Majas on Balcony
1800-14
Oil on canvas,
194,8 x 125,7 cm
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Francisco de goya y Lucientes
Water Carrier
1808-12
Oil on canvas,
68 x 52 cm
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Francisco de goya y Lucientes
Knife Grinder
1808-12
Oil on canvas,
68 x 50,5 cm
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Francisco de goya y Lucientes
Dona Narcisa Baranana de Goicoechea
c. 1810
Oil on canvas,
112 x 78 cm
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Francisco de goya y Lucientes
Juan Antonio Llorente
1810-11
Oil on canvas,
189 x 114 cm
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Francisco de goya y Lucientes
Les Vieilles or Time and the Old Women
1810-12
Oil on canvas,
181 x 125 cm
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Francisco de goya y Lucientes
A Prison Scene
1810-14
42,9 x 31,7 cm
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Francisco de goya y Lucientes
Les Jeunes or the Young Ones
1812-14
Oil on canvas,
181 x 122 cm
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Francisco de goya y Lucientes
Portrait of Mariano Goya, the Artist-s Grandson
1812-14
Oil on panel,
59 x 47 cm
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Francisco de goya y Lucientes
Pepito Costa y Bonells
1813
Oil on canvas,
105 x 85 cm
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Francisco de goya y Lucientes
The Second of May, 1808
1814
Oil on canvas,
266 x 345 cm
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Francisco de goya y Lucientes
King Ferdinand VII with Royal Mantle
Oil on canvas,
212 x 146 cm
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Francisco de goya y Lucientes
The Last Communion of St Joseph of Calasanz
1819
Oil on canvas,
250 x 180 cm
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Francisco de goya y Lucientes
Christ on the Mount of Olives
1819
Oil on panel,
47 x 35 cm
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| Francisco de goya y Lucientes
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b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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