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Anthony Van Dyck
jules alexandre grun
mk265 friday at the salon des artises francais. 1911 rouen musee des beaux arts.
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Anthony Van Dyck
william bouguerau
mk265 portrait of aristide boucicaut, 1875.paris bon marche collection.
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Anthony Van Dyck
leon bonnat
mk265 portrit of madame pasca 1874 paris musee d orsay.
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Anthony Van Dyck
leon bonnat
mk265 the duc daumale 1890 chantily musee conde
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Anthony Van Dyck
thomas eakins
mk265 1900 new york the metropoltan musum of art
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Anthony Van Dyck
alexandre cabanel
mk265 catharine lorilard wolfe 1876 new york the metropolitan museum of art.
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Anthony Van Dyck
jean jacques henner
mk265 portrait of madame laura leroux, angers musee des beaux arts.
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Anthony Van Dyck
jean jacques henner
mk265 portrait of henriette germain 1874 paris musee henner
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Anthony Van Dyck
charles emile auguste carolus duran
mk265 lafy with a glove 1869 paris musee d orsay.
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Anthony Van Dyck
charles emile auguste carolus duran
mk265 lady with a glove.1869 paris musee d orsay
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Anthony Van Dyck
georges clairin
mk265 portrait of sarah bernhardt 1876.paris musee du petit palais.
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Anthony Van Dyck
paul nadar
mk265 photog raph of sarah bernhardt,paris bibliotheque nationale cabinet des estampes.
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Anthony Van Dyck
sarony
mk265 1891 sarah bernhardt paris musee d orsay.
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Anthony Van Dyck
alfred stevens
mk265 the ducess 1867 williamstown sterling and francine clark art institute.
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Anthony Van Dyck
james tissot
mk265 colonel frederick gustavus burnaby 1870 london,national portrait gallery.
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Anthony Van Dyck
h mairet
mk265 valtesse de la bigne in her drawing room.
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Anthony Van Dyck
henri gervex
mk265 madame valtesse da la bigne 1889 oil on canvas paris musee d orasy.
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Anthony Van Dyck
paul albert besnard
mk265 portrait of madame roger jourdain 1886 paris musee d orsay.
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Anthony Van Dyck
paul albert besnard
mk265 portrait of madeleine lemaire,c 1895 versaraill musee national du
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Anthony Van Dyck
edouard manet
mk265 portrait of theodore duret 1868. paris musee du petit palais.
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| Anthony Van Dyck
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Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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