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Oil Paintings Come From United Kingdom
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

 

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Anthony Van Dyck Family Group oil painting

Painting ID::  41023

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Anthony Van Dyck
Family Group
mk159 1621 Oil on canvas 113.5x93.5cm
   
   
     

 

 

Anthony Van Dyck Portrait of Elizabeth and Philadelphia Wharton oil painting

Painting ID::  41024

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Anthony Van Dyck
Portrait of Elizabeth and Philadelphia Wharton
mk159 Oil on canvas 162x130cm
   
   
     

 

 

Anthony Van Dyck Portrait of Eberhard Jabach oil painting

Painting ID::  41025

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Anthony Van Dyck
Portrait of Eberhard Jabach
mk159 1636-37 Oil on canvas 113x91.5cm
   
   
     

 

 

Anthony Van Dyck The rest in the flight to Egypt oil painting

Painting ID::  42041

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Anthony Van Dyck
The rest in the flight to Egypt
mk166 1630 I Wave on cloth 134x195cm Galeria Palace Pitti, Florence
   
   
     

 

 

Anthony Van Dyck Portrait of a Woman and Child oil painting

Painting ID::  43124

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Anthony Van Dyck
Portrait of a Woman and Child
mk170 1620-1621 Oil on canvas 131.5x106.2cm
   
   
     

 

 

Anthony Van Dyck The Balbi Children oil painting

Painting ID::  43125

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Anthony Van Dyck
The Balbi Children
mk170 1625-1627 Oil on canvas 219x151cm
   
   
     

 

 

Anthony Van Dyck William Feilding,lst Earl of Denbigh oil painting

Painting ID::  43126

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Anthony Van Dyck
William Feilding,lst Earl of Denbigh
mk170 1633-1634 Oil on canvas 247.5x148.5cm
   
   
     

 

 

Anthony Van Dyck Lady Elizabeth Thimbelby and Dorothy,Viscountess Andover oil painting

Painting ID::  43127

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Anthony Van Dyck
Lady Elizabeth Thimbelby and Dorothy,Viscountess Andover
mk170 circa 1637 Oil on canvas 132.1x149cm
   
   
     

 

 

Anthony Van Dyck Portrait of GeorgeGage with Two Attendants oil painting

Painting ID::  43130

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Anthony Van Dyck
Portrait of GeorgeGage with Two Attendants
mk170 1622-1623 Oil on canvas 15x113.5cm
   
   
     

 

 

Anthony Van Dyck Lord John Stuart and His Brother,Lord Bernard Stuart oil painting

Painting ID::  43129

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Anthony Van Dyck
Lord John Stuart and His Brother,Lord Bernard Stuart
mk170 circa 1638 Oil on canvas 237.5x146.1cm
   
   
     

 

 

Anthony Van Dyck The funf senses with landscape oil painting

Painting ID::  45591

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Anthony Van Dyck
The funf senses with landscape
mk186 1638 Strabburg, muse of the Beaux-type
   
   
     

 

 

Anthony Van Dyck Portrat Karls I. Konig of England oil painting

Painting ID::  45850

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Anthony Van Dyck
Portrat Karls I. Konig of England
mk187 around 1637/38 oil on linen 367x292.1cm
   
   
     

 

 

Anthony Van Dyck Reiterbidnis the Francisco served de Mancada oil painting

Painting ID::  45854

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Anthony Van Dyck
Reiterbidnis the Francisco served de Mancada
mk178 1634/35 oil on linen 305x242cm
   
   
     

 

 

Anthony Van Dyck Queen Henrietta maria oil painting

Painting ID::  50841

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Anthony Van Dyck
Queen Henrietta maria
mk216 She was the youngest daughter of Henri IV of France and queen Consort of Charles
   
   
     

 

 

Anthony Van Dyck Marchese Elena Grimaldi oil painting

Painting ID::  53799

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Anthony Van Dyck
Marchese Elena Grimaldi
mk234 1623 241x133cm
   
   
     

 

 

Anthony Van Dyck Karl in pa hunting oil painting

Painting ID::  53800

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Anthony Van Dyck
Karl in pa hunting
mk234 ca 1635-38 266x207cm
   
   
     

 

 

Anthony Van Dyck lomellini portrait oil painting

Painting ID::  56056

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Anthony Van Dyck
lomellini portrait
mk247 1626 to 27,oil on canvsa,106x100 in,269x254 cm,national gallery of scotland,edinburgh,uk
   
   
     

 

 

Anthony Van Dyck lady elizabeth thimbleby and dorothy,viscountess andover oil painting

Painting ID::  56776

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Anthony Van Dyck
lady elizabeth thimbleby and dorothy,viscountess andover
mk247 1637,oil on canvas,52x59 in,132x149 cm,national gallery,london,uk
   
   
     

 

 

Anthony Van Dyck equestrian porrtait of charles l oil painting

Painting ID::  56778

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Anthony Van Dyck
equestrian porrtait of charles l
mk247 1637 to 38,oil on canvas,144.5x115 in,367x292.1 cm,national gallery,london,uk
   
   
     

 

 

Anthony Van Dyck sir anthony dyck oil painting

Painting ID::  58897

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Anthony Van Dyck
sir anthony dyck
mk265 venitia,lady digby as prudence 1633-1634 london national portrait gallery
   
   
     

 

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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.