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William Blake
A William Blake reproduction, photographed in our studio
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William Blake
The Marriage of Heaven and Hell
1790-93
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William Blake
The Body of Abel Found by Adam and Eve
1825
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William Blake
Glad Day
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William Blake
The Great Red Dragon and the Woman Clothed with the Sun
1805-1810
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William Blake
God as an Architect
1794
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William Blake
Job and his Daughters
1799-1800
National Gallery of Art, Washington DC
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William Blake
THe Great Red Dragon and the Woman Clothed in Sun (mk19)
c 1806-1809
Water-colour,34.3 x 42 cm
Brooklyn Museum,Brooklyn(NY)
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William Blake
The Ancient of Days,frontispiece for Europe,a Prophecy (mk19)
1794
Colour engraving,pen,water-colour
30.4 x 23.6 cm
Fitzwilliam Museum,Cambridge
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William Blake
Happy Day-The Dance of Albion (mk19)
1794-1796
Colour engraving,pen and water-colours for Europe,a Prophecy,30.4 x 23.6 cm
Fitzwilliam Museum,Cambridge
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William Blake
Hecate (mk22)
1795
Color monorype,43 x 57 cm
London,Tate Gallery
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William Blake
The Fall of Man (mk22)
1807
Watercolor 49.6 x 39.3 cm
London,Victoria and Albert Museum
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William Blake
Pity (nn03)
c 1795 Watercolour heightened with ink on paperh42 xw54 cm h16 3/4 x w21 1/4 in Tate Gallery London
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William Blake
The Spiritual Form of Nelson guiding Leviathan (mk47)
AA 1812
Tempera on canvas
762x625mm
Tate,London
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William Blake
Jerusalem Plate 51(mk47)
AA 1812
Relief etching,hand coloured
159x219mm
Lent by the Syndics of the Fitzwilliam Museum Cambridge
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William Blake
Beatrice addressing Dante from her Wagon
mk86
c.1824-1826
Aquarell
36.5x52cm
London,Tate Gallery
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William Blake
Joseflasst Simeon tie up
mk148
around 1785, sound the testaments of the twelve patriarchs Simeon was held because he had tried to kill Josef
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William Blake
The Ancient of Days
mk156
1794
Etching in relief with watercolour
23.3x16.8cm
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William Blake
Pity
mk156
Watercolour heightened with ink on paper
42x54cm
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William Blake
The Ancient of Days
mk156
1794
Etching in relief with watercolour
23.3x16.8cm
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| William Blake
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1757-1827
British
William Blake Galleries
William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.
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