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Wilhelm von Kobell
Riders on Lake Tegernsee
1824
Oskar Reinhart Foundation, Winterthur
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Wilhelm von Kobell
Riders on Lake Tegernsee II
1825
Oskar Reinhart Foundation, Winterthur
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Wilhelm von Kobell
Hunting Party on Lake Tegernsee
1824
Oskar Reinhart Foundation, Winterthur
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Wilhelm von Kobell
The Siege of Kosel
sn02
1808
Oil on canvas
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Wilhelm von Kobell
Riders at the Tegernsee
mk138
1832
Oil on wood
27x25cm
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Wilhelm von Kobell
View of Lake Tegern
1833
Oil on canvas,
38 x 33 cm
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Wilhelm von Kobell
Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich
1831
Watercolour,
237 x 306 mm
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Wilhelm von Kobell
The Siege of Cosel
1808
Oil on canvas,
202 x 305 cm
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Wilhelm von Kobell
Jager zu Pferd in oberbayerischer Landschaft
1822(1822)
Oil on canvas
40 x 52 cm
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Wilhelm von Kobell
Jager auf der Hochalm
1828(1828)
Oil on canvas
38.4 X 33.2 cm (15.12 X 13.07 in)
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Wilhelm von Kobell
Jager zu Pferd in oberbayerischer Landschaft
Date 1822(1822)
Medium Oil on canvas
Dimensions Deutsch: 40 X 52 cm
cyf
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Wilhelm von Kobell
Jager auf der Hochalm
Date 1828(1828)
Medium Oil on canvas
Dimensions 38.4 X 33.2 cm (15.12 X 13.07 in)
cyf
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Wilhelm von Kobell
Austrian cuirassiers fighting French hussars
Description KobellReitergefecht.jpg
Austrian cuirassiers fighting French hussars
Date 1805(1805)
Source Reiss-Museum Mannheim (WVN 848)
cyf
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Wilhelm von Kobell
Belagerung von Kosel
1808(1808)
Medium Oil on canvas
Dimensions Deutsch: 207 x 302 cm
cjr
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Wilhelm von Kobell
Self-portrait
circa 1800(1800)
Medium oil on canvas
Dimensions 45.5 x 39.3 cm (17.9 x 15.5 in)
cjr
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| Wilhelm von Kobell
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1766-1853
German
Wilhelm von Kobell Gallery
Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.
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