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Vincenzo Catena
Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.

 

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Vincenzo Catena The Supper at Emmaus oil painting

Painting ID::  355

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Vincenzo Catena
The Supper at Emmaus
1520/30 Galleria degli Uffizi, Florence
   
   
     

 

 

Vincenzo Catena Giangiorgio Trissino (mk05) oil painting

Painting ID::  20200

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Vincenzo Catena
Giangiorgio Trissino (mk05)
Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
   
   
     

 

 

Vincenzo Catena The Supper at Emmaus oil painting

Painting ID::  28311

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Vincenzo Catena
The Supper at Emmaus
mk60 Panel 51 3/16"x97 7/8in
   
   
     

 

 

Vincenzo Catena A Muslim Warrior Adoring the Infant Christ and the Virgin oil painting

Painting ID::  43034

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Vincenzo Catena
A Muslim Warrior Adoring the Infant Christ and the Virgin
mk170 1520-1525 Oil on canvas 156.3x267.3cm
   
   
     

 

 

Vincenzo Catena Saint Jerome in His Study oil painting

Painting ID::  43035

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Vincenzo Catena
Saint Jerome in His Study
mk170 Circa 1510 Oil on canvas 75.9x98.4cm
   
   
     

 

 

Vincenzo Catena Portrait of a Young Man oil painting

Painting ID::  84582

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Vincenzo Catena
Portrait of a Young Man
Date between 1505(1505) and 1510(1510) Medium Oil on wood Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in). cjr
   
   
     

 

 

Vincenzo Catena Portrait of the Doge, Andrea Gritti oil painting

Painting ID::  88060

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Vincenzo Catena
Portrait of the Doge, Andrea Gritti
Oil on canvas Dimensions Height: 97.2 cm (38.3 in). Width: 79.4 cm (31.3 in). cjr
   
   
     

 

 

Vincenzo Catena Portrait of a Young Man oil painting

Painting ID::  88445

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Vincenzo Catena
Portrait of a Young Man
between 1505(1505) and 1510(1510) Medium Oil on wood cyf
   
   
     

 

 

Vincenzo Catena Portrait of humanist Gian Giorgio Trissino oil painting

Painting ID::  90118

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Vincenzo Catena
Portrait of humanist Gian Giorgio Trissino
1510(1510) Medium Oil on canvas Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm) cjr
   
   
     

 

 

Vincenzo Catena A Warrior adoring the Infant Christ and the Virgin oil painting

Painting ID::  90881

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Vincenzo Catena
A Warrior adoring the Infant Christ and the Virgin
oil on canvas Dimensions Height: 155.3 cm (61.1 in). Width: 263.5 cm (103.7 in). cjr
   
   
     

 

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Vincenzo Catena
Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.