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Tintoretto
Susanna and the Elders
nn05
c.1555
The third voyeur stood before the canvas
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Tintoretto
Details of Susanna and the Elders
nn05
Cowardly assault on a woman's virtue
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Tintoretto
Details of Susanna and the Elders
nn05
Beauty in the shade of trees
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Tintoretto
Details of Susanna and the Elders
nn05
A centre of luxury and fashion
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Tintoretto
Details of Susanna and the Elders
nn05
Art and nature
harmony in a Garden
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Tintoretto
Vulcano sorprende a Venus y Marte
mk79
A finales del siglo XVI
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Tintoretto
Recreation by our Gallery
mk79
About 1557
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Tintoretto
Recreation by our Gallery
mk79
About 1557
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Tintoretto
Brazen Serpent
1575-76
Oil on canvas, 840 x 520 cm
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Tintoretto
Glorification of St Roch
1564
Oil on canvas, 240 x 360 cm
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Tintoretto
The Ascent to Calvary
1566-67
Oil on canvas, 515 x 390 cm
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Tintoretto
Crowning with Thorns
1566-67
Oil on canvas, 285 x 400 cm
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Tintoretto
Christ before Pilate
1566-67
Oil on canvas, 515 x 380 cm
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Tintoretto
The Prayer in the Garden
1578-81
Oil on canvas, 538 x 455 cm
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Tintoretto
Battle between Turks and Christians
1588-89
Oil on canvas, 189 x 307 cm
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Tintoretto
Creation of the Animals
c. 1550
Oil on canvas,
151 x 258 cm
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Tintoretto
St Louis, St George and the Princess
c. 1553
Oil on canvas,
226 x 146 cm
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Tintoretto
Christ Washing the Feet of His Disciples
c. 1547
Oil on canvas,
210 x 533 cm
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Tintoretto
The Miracle of the Loaves and Fishes
1578-81
Oil on canvas,
523 x 460 cm
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Tintoretto
La Probatica Piscina
1578-81
Oil on canvas,
533 x 529 cm
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| Tintoretto
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Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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