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Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
1468
Paris,Musee du Louvre
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Sandro Botticelli
Piero del Pollaiolo Justice (mk36)
c.1470
Florence ,Galleria degli Uffizi
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Sandro Botticelli
Piero del Pollaiolo (mk36)
c.1470
Florence,Galleria DEGLI uFFZI
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Sandro Botticelli
Piero del Pollaiolo Hope (mk36)
c.1470
Florence,Galleria degli Uffizi
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Sandro Botticelli
Piero del Pollaiolo Faith (mk36)
c.1470
Florence,Galleria degli Uffizi
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Sandro Botticelli
Fortitude (mk36)
1470
Florence ,Galleria degli Uffizi
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Sandro Botticelli
Details of Fortitude (mk36)
c.1472
Florence,Galleria deglu Uffizi
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Sandro Botticelli
Discovery of the Body of Holofernes (mk36)
c.1472
Florence,Galleria degli Uffizi
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Sandro Botticelli
Return of Judith to Betulia (mk36)
c.1472
Florence,Galleria degli Uffizi
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Sandro Botticelli
Antonio del Pollaiolo Hercules and Antaeus (mk36)
c.1745
Florence,Galleria degli Uffizi
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Sandro Botticelli
Antonio del Pollaiolo,Hercules and the Hydra (mk36)
c.1475
Florence,Galleri degli Uffizi
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Sandro Botticelli
Discovery of the Body of Holofernes (mk36)
c.1472
Florence,Galleria degli Uffizi.
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Sandro Botticelli
Antonio and Piero del Pollaiolo,Martyrom of St Sebastian (mk36)
c.1475
London,National Gallery
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Sandro Botticelli
St Sebastian (mk36)
c.1473
Berlin,Staatliche Museen
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Sandro Botticelli
Adoration of the Magi (mk36)
1472-1474
London,National Gallery
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Sandro Botticelli
Madonna enthroned with Child and Saints (mk36)
1470-1472
Florence,Galleria degli Uffizi
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Sandro Botticelli
Portrait of a Young Man (mk36)
1470-1473
Florence,Palazzo pitti,Galleria Palatina
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Sandro Botticelli
Portrait of Smeralda Brandini (mk36)
1470-1472
London,Victoria and Albert Museum
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Sandro Botticelli
Hans Memling,Man with a Medal (mk36)
c.1480
Antwerp,Koninklijk Museum voor Schone Kunsten
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Sandro Botticelli
Portrait of a Youth with a Medal (mk36)
c.1475
Florence,Galleria degli Uffizi
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| Sandro Botticelli
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Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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