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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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SASSOFERRATO
Italian Baroque Era Painter, 1609-1685
Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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SASSOFERRATO
The Mystic Marriage of St. Catherine f
1650
Oil on canvas
Wallace Collection, London
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SASSOFERRATO
Portrait of Monsignor Ottaviano Prati ar
c. 1650
Oil on canvas, 119 x 92 cm
Galleria Nazionale d'Arte Antica, Rome
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SASSOFERRATO
The Virgin in Prayer a
1640-50
Oil on canvas, 73 x 58 cm
National Gallery, London
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SASSOFERRATO
Madonna in Prayer sr
1640s
Oil on canvas
Accademia Carrara, Bergamo
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SASSOFERRATO
Self-Portrait
mk52
c.1650
oil on canva
38x32.5cm
Uffizi,Florence
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SASSOFERRATO
The Virgin in Prayer
nn07
1640-50
Oil on canvas, 73 x 58 cm
National Gallery, London
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SASSOFERRATO
The Virgin and Child Embracing
mk170
1660-1685
Oil on canvas
97.2x74cm
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| SASSOFERRATO
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Italian Baroque Era Painter, 1609-1685
Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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