HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Quentin Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.

 

 1 2    Next
 

 

 

Quentin Matsys The sad Virgin oil painting

Painting ID::  41939

X 
 

Quentin Matsys
The sad Virgin
mk166 Rainaldo gives Costro, Coimbra, Portugal
   
   
     

 

 

Quentin Matsys The Moneylender and his Wife oil painting

Painting ID::  59864

X 
 

Quentin Matsys
The Moneylender and his Wife
The Moneylender and his Wife (1514) Oil on panel, 71 x 68 cm Mus??e du Louvre, Paris
   
   
     

 

 

Quentin Matsys A Grotesque Old Woman oil painting

Painting ID::  59866

X 
 

Quentin Matsys
A Grotesque Old Woman
A Grotesque Old Woman Oil on wood, 64 x 45,5 cm National Gallery, London.
   
   
     

 

 

Quentin Matsys Madonna and Child with the Lamb. oil painting

Painting ID::  80150

X 
 

Quentin Matsys
Madonna and Child with the Lamb.
ca. 1513(1513) Oil on wood 110 x 87 cm (43.3 x 34.3 in) cjr
   
   
     

 

 

Quentin Matsys Virgin and Child oil painting

Painting ID::  83564

X 
 

Quentin Matsys
Virgin and Child
Date 1529(1529) Medium Oil on wood Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in). cjr
   
   
     

 

 

Quentin Matsys The Lamentation oil painting

Painting ID::  83771

X 
 

Quentin Matsys
The Lamentation
Date first half of 16th century Medium Oil on panel Dimensions 96 x 126.5 cm (37.8 x 49.8 in) cjr
   
   
     

 

 

Quentin Matsys Madonna and Child with the Lamb oil painting

Painting ID::  84058

X 
 

Quentin Matsys
Madonna and Child with the Lamb
1513(1513) Medium Oil on wood Dimensions 110 x 87 cm (43.3 x 34.3 in) cyf
   
   
     

 

 

Quentin Matsys St Christopher oil painting

Painting ID::  86191

X 
 

Quentin Matsys
St Christopher
Date second half of 15th century Medium Oil on wood cjr
   
   
     

 

 

Quentin Matsys St Anne Altarpiece oil painting

Painting ID::  86398

X 
 

Quentin Matsys
St Anne Altarpiece
Date between 1507(1507) and 1508(1508) Medium Oil on wood Dimensions Height: 224.5 cm (88.4 in). Width: 219 cm (86.2 in). (centre) cjr
   
   
     

 

 

Quentin Matsys St John Altarpiece oil painting

Painting ID::  86516

X 
 

Quentin Matsys
St John Altarpiece
Date between 1507(1507) and 1508(1508) Medium Oil on wood cjr
   
   
     

 

 

Quentin Matsys St John Altarpiece oil painting

Painting ID::  86524

X 
 

Quentin Matsys
St John Altarpiece
Date between 1507(1507) and 1508(1508) Medium Oil on wood cjr
   
   
     

 

 

Quentin Matsys Christ on the Cross with Donors oil painting

Painting ID::  86529

X 
 

Quentin Matsys
Christ on the Cross with Donors
Date c. 1520(1520) Medium Oil on wood cjr
   
   
     

 

 

Quentin Matsys St Anne Altarpiece oil painting

Painting ID::  86642

X 
 

Quentin Matsys
St Anne Altarpiece
Date between 1507(1507) and 1508(1508) Medium Oil on wood Dimensions Height: 220 cm (86.6 in). Width: 92 cm (36.2 in). (each wing) cjr
   
   
     

 

 

Quentin Matsys Virgin and Child oil painting

Painting ID::  87405

X 
 

Quentin Matsys
Virgin and Child
1529(1529) Medium Oil on wood cyf
   
   
     

 

 

Quentin Matsys The Lamentation oil painting

Painting ID::  87684

X 
 

Quentin Matsys
The Lamentation
first half of 16th century Medium Oil on panel cyf
   
   
     

 

 

Quentin Matsys St Anne Altarpiece oil painting

Painting ID::  89145

X 
 

Quentin Matsys
St Anne Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys St Anne Altarpiece oil painting

Painting ID::  89146

X 
 

Quentin Matsys
St Anne Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys Ecce Homo oil painting

Painting ID::  89293

X 
 

Quentin Matsys
Ecce Homo
1526(1526) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys Ecce Homo oil painting

Painting ID::  89294

X 
 

Quentin Matsys
Ecce Homo
1526(1526) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys St John Altarpiece oil painting

Painting ID::  89330

X 
 

Quentin Matsys
St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
   
   
     

 

  1  2     Next

 

Quentin Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.