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Pontormo
The Mabl in Emmaus
mk186
around 1525 Florence, Uffizien
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Pontormo
Monsignor della Casa
mk234
ca 1541/44
102x79cm
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Pontormo
Gravlaggningen
mk234
ca 1525/28
312x190cm
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Pontormo
joseph with jacob in egypt
mk247
1518,oil on wood ,38x43.125 in,96.5x109.5 cm,national gallery,london,uk
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Pontormo
Old Cosimo
mk276 1519 Oil on canvas 86 x 65cm Florence Museum
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Pontormo
Michelangelo
mk276 1520 years Medici Chapel in Florence
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Pontormo
Michelangelo
mk276 1520 years Medici Chapel in Florence
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Pontormo
Castiglione portrait
mk276 1525 Oil on canvas 83 x 67cm Paris Louvre
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Pontormo
Son and out of Notre Dame St.
mk276 1505 Oil on canvas 185 x 171cm Florence Chapel of Our Lady
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Pontormo
Access map
mk276 1514 Mural 392 x 337cm years Annunciation Church in Florence
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Pontormo
Holy Family
mk276 1518 years 214 x 185cm
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Pontormo
Joseph in Egypt
mk276 1518 years 44 x 49cm oil on wood National Gallery, London
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Pontormo
Gethsemane Garden
mk276 1522 frescos years 300 x 290cm Qieer holds the Sa monastery
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Pontormo
Christ before Pilate
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
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Pontormo
To skull mountain
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
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Pontormo
Holy War
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
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Pontormo
Resurrection of Christ
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
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Pontormo
Unloaded Eucharist
mk276 1526 Oil on canvas 313 x 192cm Kaposi Chapel
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Pontormo
Reported pregnancy plans
mk276 1526 frescos years Kaposi Chapel 250 x 110cm
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Pontormo
Holy Family
mk276 1530 frescos years 228 x 176cm Paris Louvre Museum
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| Pontormo
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Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
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