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Pietro Perugino
The Virgin and the Child 2
1500-03 National Gallery, London
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Pietro Perugino
St.Sebastian
1495 The Hermitage, St.Petersburg
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Pietro Perugino
The Virgin and Child with Saints
c1497 Pinacoteca Nazionale, Bologna
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Pietro Perugino
The Crucifixion with The Virgin, St.John, St.Jerome St.Magdalene
1485 The National Gallery of Art, Washington DC
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Pietro Perugino
Christ Delivering the Keys to St.Peter
1481 Fresco
Vatican, Sistine Chapel
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Pietro Perugino
The Saint Augustine Polyptych
1470 Fresco
Galleria Nazionale dell'Umbria, Perugia, Italy
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Pietro Perugino
Vallombrosa Altar
1500 Galleria dell'Accademia, Florence
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Pietro Perugino
St.Michael
1496 National Gallery, London
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Pietro Perugino
The Virgin and child Surrounded by Two Angels (mk05)
Wood??tondo??,diameter 58 1/4\'\'(148 cm)Entered the Louvre in 1850
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Pietro Perugino
st Jerome supporting Two Men on the Gallows
Wood 12 1/4 x 12''(31 x 30 cm)Entered the Louvre in 1863
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Pietro Perugino
Lamentation over the Dead Christ (mk25)
1495
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Pietro Perugino
Detail from Christ Giving the Keys to Saint Peter
mk52
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Pietro Perugino
Christ Giving the Keys to Saint Peter
mk52
c.1480-2
Fresco
Sistine Chapel,Vatican,Rome
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Pietro Perugino
Self-Portrait
mk52
1496
Trompe l oeil pilaster,detail from a fresco scheme
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Pietro Perugino
St,Sebastian
mk65
ca.1495
Tempera and oil on panel
21x15 1/2"
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Pietro Perugino
The Presepio
1506-10
Oil on wood, 263 x 147 cm
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Pietro Perugino
The Miracles of San Bernardino: The Healing of a Mute
1473
Tempera on wood, 76 x 56,7 cm
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Pietro Perugino
The Vision of St Bernard
mk86
1489
Tempera on wood
173x170cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
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Pietro Perugino
Christ giving the Keys to St.Peter
mk156
1481-1482
Ol on wood
Vatican Museum,Rome
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Pietro Perugino
St Sebastian
mk156
c.1490-1500
Oil on wood
176x116cm
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| Pietro Perugino
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Italian
1450-1523
Pietro Perugino Galleries
Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
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