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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir In the Meadow oil painting

Painting ID::  3483

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Pierre Renoir
In the Meadow
1888/92 32 x 25 3/4 in. (81.3 x 65.4 cm) The Metropolitan Museum of Art, New York
   
   
     

 

 

Pierre Renoir On the Terrace oil painting

Painting ID::  3484

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Pierre Renoir
On the Terrace
1881 39 1/2 x 31 7/8" (100.5 x 81 cm) The Art Institute of Chicago
   
   
     

 

 

Pierre Renoir Young Girl With Daisies oil painting

Painting ID::  3485

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Pierre Renoir
Young Girl With Daisies
1889 25 5/8 x 21 1/4 in. (65.1 x 54 cm) The Metropolitan Museum of Art, New York
   
   
     

 

 

Pierre Renoir Young Woman Bathing oil painting

Painting ID::  3486

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Pierre Renoir
Young Woman Bathing
1888 85 x 66cm Private Collection
   
   
     

 

 

Pierre Renoir Yvonne and Christine Lerolle Playing the Piano oil painting

Painting ID::  3487

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Pierre Renoir
Yvonne and Christine Lerolle Playing the Piano
1897 50 x 67cm Musee de l'Orangerie, Paris
   
   
     

 

 

Pierre Renoir Claude Monet Reading oil painting

Painting ID::  3488

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Pierre Renoir
Claude Monet Reading
1872 61 x 50cm Musee Marmottan, Paris
   
   
     

 

 

Pierre Renoir Bazille at his Easel oil painting

Painting ID::  3489

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Pierre Renoir
Bazille at his Easel
1867 105 x 75.5cm Musee d'Orsay, Paris
   
   
     

 

 

Pierre Renoir By the Seashore oil painting

Painting ID::  3490

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Pierre Renoir
By the Seashore
1883 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm) The Metropolitan Museum of Art, New York
   
   
     

 

 

Pierre Renoir Mixed Flowers in an Earthenware Pot oil painting

Painting ID::  3491

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Pierre Renoir
Mixed Flowers in an Earthenware Pot
1869 64.9 x 54.2cm Museum of Fine Arts, Boston
   
   
     

 

 

Pierre Renoir Portrait of Madame Henriot oil painting

Painting ID::  3492

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Pierre Renoir
Portrait of Madame Henriot
1874 65.9 x 49.8cm National Gallery of Art, Washington DC
   
   
     

 

 

Pierre Renoir The Pont des Arts the Institut de France oil painting

Painting ID::  3493

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Pierre Renoir
The Pont des Arts the Institut de France
1867 62 x 103cm Norton Simon Foundation, Los Angeles
   
   
     

 

 

Pierre Renoir The Promenade oil painting

Painting ID::  3494

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Pierre Renoir
The Promenade
1870 80 x 64cm J Paul Getty Museum,Los Angeles
   
   
     

 

 

Pierre Renoir L'Estaque oil painting

Painting ID::  3495

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Pierre Renoir
L'Estaque

   
   
     

 

 

Pierre Renoir Bouquet de Chrysanthemes oil painting

Painting ID::  3496

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Pierre Renoir
Bouquet de Chrysanthemes
1885 Musee des Beaux Arts, Rouen, France
   
   
     

 

 

Pierre Renoir Portrait of Victor Chocquet oil painting

Painting ID::  3497

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Pierre Renoir
Portrait of Victor Chocquet
1875 Oskar Reinhart Collection
   
   
     

 

 

Pierre Renoir Les Grands Boulevards oil painting

Painting ID::  3498

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Pierre Renoir
Les Grands Boulevards
1875 Philadelphia Museum of Art
   
   
     

 

 

Pierre Renoir Greenhouse oil painting

Painting ID::  3499

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Pierre Renoir
Greenhouse

   
   
     

 

 

Pierre Renoir Venezia-Piazza San Marco oil painting

Painting ID::  3500

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Pierre Renoir
Venezia-Piazza San Marco

   
   
     

 

 

Pierre Renoir Beach Scene oil painting

Painting ID::  3501

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Pierre Renoir
Beach Scene

   
   
     

 

 

Pierre Renoir Jeune Filles au Bord de L'eau oil painting

Painting ID::  3502

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Pierre Renoir
Jeune Filles au Bord de L'eau

   
   
     

 

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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..