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PACHER, Michael
Annunciation aghe
1465-70
Panel, 100 x 97 cm
Alte Pinakothek, Munich
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
St Lawrence Distributing the Alms ag
1465-70
Panel, 100 x 97 cm
Alte Pinakothek, Munich
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
St Catherine ag
1465-70
Panel, 511 x 49,5 cm
Tiroler Landesmuseum Ferdinandeum, Innsbruck
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G
c. 1483
Panel, 103 x 91 cm
Alte Pinakothek, Munich
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Flagellation agy
1495-98
Panel, 113 x 139,5 cm
Österreichische Galerie, Vienna
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
The Engagement of Virgin zg
1495-98
Panel, 113 x 139,5 cm
Österreichische Galerie, Vienna
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)
1471-1481
Tempera on wood
175x130
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
St Augustine and St Gregory (mk08)
c.1480
Oil on wood,
Munich,Bayerische Staatsgemaldesammlun-gen,
Alte Pinakothek
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
The Resurrection of Lazarus
mk86
1471-1481
Tempera on wood
175x130cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
St Augustine and St Gregory
mk86
c.1480
Oil on wood
212x100cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Resurrection of Lazarus
mk156
1471-1481
Tempera on wood
175x130cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Altarpiece of the Earyly Chuch Fathers
mk156
c.1480
Oil on panel
216x380cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
The Virgin and Child Enthroned with Angels and Saints
mk170
1480-1490
Oil on silver
40.3x39.4cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Christ in Li
1460s
Tempera on pine panel,
85 x 71,5 cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Altarpiece of the Church Fathers
c. 1483 Wood, 212 x 200 cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Mary of Burgundy
c. 1490 Oil on wood, 47,5 x 35 cm
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Christ in Limbo
85 x 71,5 cm Museum of Fine Arts, Budapest As a fulfillment of redemption, Christ, having broken open the gates of hell, has brought with him the pious figures of the Old Testament, holding Adam by the hand as the symbolical incorporation of the whole of humanity. Allusions to this forced invasion, a favoured incident of popular legends and mystery plays, are found even in the Divine Comedy; here it is indicated by cracked and broken stones. It is typical of medieval thinking that hell is represented as a well-guarded building of huge stones, a sort of immense fortified prison; the notions of release, heaven, enjoyment of the delights of Paradise, are conveyed by a fresh green meadow encircled by mountains and forests of fantastic shape, worthy of the imagination of a Tyrolese painter. As symbol of his triumph over death, Christ holds the banner of victory in his hand; the wounds on his hands and feet are clearly visible.Artist:PACHER, Friedrich Title: Christ in Limbo Painted in 1451-1500 , Austrian - - painting : religious
Austrian Northern Renaissance Painter, ca.1430-1498 |
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PACHER, Michael
Christ in Limbo
1460s Tempera on pine panel Museum of Fine Arts, Budapest Obviously, every action of the devil against Christ is hopeless and can do no harm. It is ludicrous to see him lean out from his castle at the risk of losing his balance; the fires of hell illuminate his backside with a reddish glow, while he gnashes his teeth mixed with fangs, brandishes his two-pronged fork, and makes a threatening gesture with the blunt, fleshy fingers of his other hand. His head is like that of a he-goat, on his arms there are prickles reminiscent of a bat's wings; the contours of a beak-like nose on his belly complete the phantom figure of horror created by the fantasy of the Middle Ages.Artist:PACHER, Friedrich Title: Christ in Limbo (detail) Painted in 1451-1500 , Austrian - - painting : religious
Austrian Northern Renaissance Painter, ca.1430-1498 |
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Austrian Northern Renaissance Painter, ca.1430-1498
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