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Moore, Albert Joseph
The Mother of Sisera Looked out a Window
1861
Oil on canvas
Tullie House Museum and Art Gallery, Carlisle.
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Moore, Albert Joseph
Dancing Girl Resting
1863-64
Oil on canvas
Private collection.
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Moore, Albert Joseph
Pomegranites
1865-66
Oil on canvas
Guildhall Art Gallery, London.
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Moore, Albert Joseph
A Musician
1865-66
Oil on canvas
Yale Center for British Art, New Haven, CT.
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Moore, Albert Joseph
Lilies
1866
Oil on canvas
Sterling & Francine Clark Art Institute, Williamstown, MA.
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Moore, Albert Joseph
Apricots
1866
Oil on canvas
Fulham Public Library, London.
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Moore, Albert Joseph
Shuttlecock
1868-70
Oil on canvas
Private collection.
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Moore, Albert Joseph
Battledore
1868-70
Oil on canvas
Private collection.
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Moore, Albert Joseph
A Venus
1869
Oil on canvas
York city Art Gallery.
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Moore, Albert Joseph
A Garden
1869
Oil on canvas
Tate Gallery, London.
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Moore, Albert Joseph
Seagulls
1870-71
Oil on canvas
Williamson Art Gallery and Museum, Birkenhead.
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Moore, Albert Joseph
Shells
1874
Oil on canvas
Walker Art Gallery, Liverpool.
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Moore, Albert Joseph
Pansies
1875
Oil on canvas
Private collection.
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Moore, Albert Joseph
Loves of the Winds and the Seasons
1890-3
Oil on canvas 185 x 216 cm
(72 7/8 x 85 in)
Blackburn Museum and Art Gallery (mk63)
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Moore, Albert Joseph
a painter-s tribute to the art of Music
mk221
1868
Oil on canvas
61x88.3cm
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Moore, Albert Joseph
Setting Sail on a Lake in the Adirondacks
oil on canvas, 41.91 cm (16.5 in.) x 67.63 cm (26.63 in.)
cyf
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| Moore, Albert Joseph
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English Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
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