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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Ludovico Carracci
(Bologna 1555-1619)
Painter, draughtsman and etcher. His father, Vincenzo Carracci, was a butcher, whose profession may be alluded to in Ludovico's nickname 'il Bue', though this might also be a reference to the artist's own slowness. Ludovico's style was less classical than that of his younger cousins Agostino and Annibale, perhaps because of a mystical turn of mind that gave his figures a sense of other-worldliness. Like his cousins, he espoused the direct study of nature, especially through figure drawing, and was inspired by the paintings of Correggio and the Venetians. However, there survives in his work, more than in that of his cousins, a residue of the Mannerist style that had dominated Bolognese painting for most of the mid-16th century. Ludovico maintained a balance between this Mannerist matrix, his innate religious piety and the naturalism of the work of his cousins. With the exception of some travels during his training and a brief visit to Rome in 1602, Ludovico's career was spent almost entirely in Bologna. |
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Ludovico Carracci
The Virgin and Child Appearing to ST Hyacinth (mk05)
1594
Canvas,147 1/2 x 88'(375 x 223 cm)From the Turrini Chapel in San Domenico in Bologna,1796;entered the Louvre in 1797
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Ludovico Carracci
Recreation by our Gallery
mk79
About 1593
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Ludovico Carracci
Susannah and the Elders
mk170
1616
Oil on canvas
146.6x116.5cm
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Ludovico Carracci
Bargellini Madonna
Bargellini Madonna (1588) Oil on canvas, 282 x 188 cm
Pinacoteca Nazionale, Bologna.
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Ludovico Carracci
Portrait of Carlo Alberto Rati Opizzoni in Armour
Date 1597-1600
Medium Oil on canvas
Dimensions 101 ?? 85 cm (39.8 ?? 33.5 in)
cyf
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| Ludovico Carracci
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(Bologna 1555-1619)
Painter, draughtsman and etcher. His father, Vincenzo Carracci, was a butcher, whose profession may be alluded to in Ludovico's nickname 'il Bue', though this might also be a reference to the artist's own slowness. Ludovico's style was less classical than that of his younger cousins Agostino and Annibale, perhaps because of a mystical turn of mind that gave his figures a sense of other-worldliness. Like his cousins, he espoused the direct study of nature, especially through figure drawing, and was inspired by the paintings of Correggio and the Venetians. However, there survives in his work, more than in that of his cousins, a residue of the Mannerist style that had dominated Bolognese painting for most of the mid-16th century. Ludovico maintained a balance between this Mannerist matrix, his innate religious piety and the naturalism of the work of his cousins. With the exception of some travels during his training and a brief visit to Rome in 1602, Ludovico's career was spent almost entirely in Bologna.
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