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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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LASTMAN, Pieter Pietersz.
Dutch Baroque Era Painter, ca.1583-1633
Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam. |
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LASTMAN, Pieter Pietersz.
Abraham's Journey to Canaan sg
1614
Oil on canvas transferred from wood, 72 x 122 cm
The Hermitage, St. Petersburg
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LASTMAN, Pieter Pietersz.
Juno Discovering Jupiter with Io g
1618
Oil on oak, 54 x 78 cm
National Gallery, London
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LASTMAN, Pieter Pietersz.
The Triumph of Mordecai g
1624
Oil on panel
Museum het Rembrandthuis, Amsterdam
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LASTMAN, Pieter Pietersz.
Odysseus and Nausicaa g
1619
Oil on panel, 91,5 x 117,2 cm
Alte Pinakothek, Munich
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LASTMAN, Pieter Pietersz.
Orestes and Pylades Disputing at the Altar s
1614
Oil on panel, 83 x 126 cm
Rijksmuseum, Amsterdam
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LASTMAN, Pieter Pietersz.
The Angel and Tobias with the Fish g
c. 1625
Oil on wood, 34,3 x 59 cm
Museum of Fine Arts, Budapest
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LASTMAN, Pieter Pietersz.
The Angel and Tobias with the Fish (detail) f
c. 1625
Oil on wood
Museum of Fine Arts, Budapest
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LASTMAN, Pieter Pietersz.
The Sacrifice of Abraham (mk05)
Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895
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LASTMAN, Pieter Pietersz.
Abraham on the Way to Canaan
mk65
1614
Oil on canvas
transferred from panel
28x48"
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LASTMAN, Pieter Pietersz.
Detail of Abraham on the Way to Canaan
mk65
Details
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LASTMAN, Pieter Pietersz.
Odysseus and Nausicaa
mk156
1619
Oil on panel
91.5x117.2cm
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LASTMAN, Pieter Pietersz.
Abraham s Journey to Canaan
Date 1614
Dimensions 72 x 122 cm (28.35 x 48.03 in)
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| LASTMAN, Pieter Pietersz.
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Dutch Baroque Era Painter, ca.1583-1633
Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.
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