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Kazimir Malevich
taking in the rye
1912, oil on canvas 72x74.5, stedelijk museum amsterdam.
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Kazimir Malevich
landscape with a white house
1930, oil on canvas 59x59.6
state russian museum, leningrad
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Kazimir Malevich
portrait of kliun
1913, oil on canvas 112x70
state russian museum, leningrad
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Kazimir Malevich
detail of portrait of the composer matiushin,
illus 71
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Kazimir Malevich
the accounting lectern and room
1913, oil on canvas 79.5x79.5
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Kazimir Malevich
portrait of composer matiushin
1913, oil on canvas 106.5x106.7
state tretiakov gallery, moscow
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Kazimir Malevich
cow and violin
1913, oil on wood 48.8x25.8
state russian museum, lening
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Kazimir Malevich
an englishman in moscow
1914, oil on canvas 88x57
stedelijk museum, amsterdam
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Kazimir Malevich
lady at the poster column
1914, oil and collage on canvas 71x64
stedelijk museum, amsterdam.
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Kazimir Malevich
composition with mona lisa
1914, oil collage and graphite on canvas 62x49.5 private collection, leningrad
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Kazimir Malevich
suprematism
1915, oil on canvas 87.5x72
state russian museum, leningrad
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Kazimir Malevich
suprematist painting
1915-16, oil on canvas 49x44.5
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Kazimir Malevich
suprematism
1915, oil on canvas 81.5x81
state russian museum, leningrad
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Kazimir Malevich
suprematism
1915, oil on canvas 101.5x62
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Kazimir Malevich
supremalism
1915, oil on canvas 44.5x35.5
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Kazimir Malevich
suprematist painting
1917, oil on canvas 96.5x65.5
museum of modern art, new york.
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Kazimir Malevich
white on white
1918, oil on canvas 78.7x78.7
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Kazimir Malevich
suprematism
1916, oil on canvas 79.5x 70.5
state russian museum, leningrad
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Kazimir Malevich
suprematist painting
1915, oil on canvas 57.3x48.3
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Kazimir Malevich
painterly realism
boy with knapsackcolour masses of the fourth dimension, 1915, oil on canvas 71.1x44.4.
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| Kazimir Malevich
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1878-1935
Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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