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Jusepe de Ribera
1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

 
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Jusepe de Ribera Sense of Taste oil painting

Painting ID::  32906

X 
 

 Jusepe de Ribera
Sense of Taste
mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm
   
   
     

 

 
Jusepe de Ribera St.Ferome and the Angel oil painting

Painting ID::  32907

X 
 

 Jusepe de Ribera
St.Ferome and the Angel
mk84 1626 Naples canvas262x164cm
   
   
     

 

 
Jusepe de Ribera Apollo and Marsyas oil painting

Painting ID::  32908

X 
 

 Jusepe de Ribera
Apollo and Marsyas
mk84 1637.Brussels canvas 202x255cm
   
   
     

 

 
Jusepe de Ribera Ladnscape with Shepherds oil painting

Painting ID::  32909

X 
 

 Jusepe de Ribera
Ladnscape with Shepherds
mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm
   
   
     

 

 
Jusepe de Ribera Dream of Facob oil painting

Painting ID::  32910

X 
 

 Jusepe de Ribera
Dream of Facob
mk84 1639 Madrid,Prado,canvas 179x233cm
   
   
     

 

 
Jusepe de Ribera Vision fo St.Bruno oil painting

Painting ID::  32915

X 
 

 Jusepe de Ribera
Vision fo St.Bruno
mk84 1643 Naples 38x27cm
   
   
     

 

 
Jusepe de Ribera The Boy with the Clbfoot oil painting

Painting ID::  33626

X 
 

 Jusepe de Ribera
The Boy with the Clbfoot
mk86 1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
   
   
     

 

 
Jusepe de Ribera Archimedes oil painting

Painting ID::  33627

X 
 

 Jusepe de Ribera
Archimedes
mk86 1630 Oil on canvas 125x81cm Madrid,Museo del Prado
   
   
     

 

 
Jusepe de Ribera Marryrdom of St Bartholomew oil painting

Painting ID::  33628

X 
 

 Jusepe de Ribera
Marryrdom of St Bartholomew
mk86 1630 Oil on canvas 234x234cm Madrid,Museo del Prado
   
   
     

 

 
Jusepe de Ribera St Christopher oil painting

Painting ID::  33629

X 
 

 Jusepe de Ribera
St Christopher
mk86 1637 Oil on canvas 127x100cm Madrid,Museo del Prado
   
   
     

 

 
Jusepe de Ribera Allegory of History oil painting

Painting ID::  34266

X 
 

 Jusepe de Ribera
Allegory of History
mk91 Oil on canvas 113x81
   
   
     

 

 
Jusepe de Ribera Boy with a Club foot oil painting

Painting ID::  40467

X 
 

 Jusepe de Ribera
Boy with a Club foot
mk156 1642 Oil on canvas 164x94cm
   
   
     

 

 
Jusepe de Ribera St Sebastian and St Irene oil painting

Painting ID::  41008

X 
 

 Jusepe de Ribera
St Sebastian and St Irene
mk159 1628 Oil on canvas 156x188cm
   
   
     

 

 
Jusepe de Ribera Jacob with the Flock of Laban oil painting

Painting ID::  43102

X 
 

 Jusepe de Ribera
Jacob with the Flock of Laban
mk170 circa 1638 Oil on canvas 132x118cm
   
   
     

 

 
Jusepe de Ribera Vision of St Bruno oil painting

Painting ID::  43698

X 
 

 Jusepe de Ribera
Vision of St Bruno
1643 Oil on copper, 38 x 27 cm
   
   
     

 

 
Jusepe de Ribera Apollo Flaying Marsyas oil painting

Painting ID::  51128

X 
 

 Jusepe de Ribera
Apollo Flaying Marsyas
1637 Oil on canvas, 202 x 255 cm
   
   
     

 

 
Jusepe de Ribera clubfooted boy oil painting

Painting ID::  51129

X 
 

 Jusepe de Ribera
clubfooted boy
1642 Oil on canvas, 164 x 92 cm
   
   
     

 

 
Jusepe de Ribera Jacob Receives Isaac-s Blessing oil painting

Painting ID::  51131

X 
 

 Jusepe de Ribera
Jacob Receives Isaac-s Blessing
1637 Oil on canvas, 129 x 289 cm
   
   
     

 

 
Jusepe de Ribera The Duel of Isabella de Carazzi and Diambra de Pottinella oil painting

Painting ID::  51132

X 
 

 Jusepe de Ribera
The Duel of Isabella de Carazzi and Diambra de Pottinella
1636 Oil on canvas, 235 x 212 cm
   
   
     

 

 
Jusepe de Ribera The Holy Family with St Catherine oil painting

Painting ID::  51135

X 
 

 Jusepe de Ribera
The Holy Family with St Catherine
1648 Oil on canvas
   
   
     

 
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Jusepe de Ribera
1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.