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Johann Zoffany
Charles Towneley's Library in Park Street (nn03)
1783
Oil on canvas 127 x 99 cm
50 x 39 in Towneley Hall Art Gallery Burnley
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Johann Zoffany
Queen Charlotte at her Dressing Table (mk25)
c 1765
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Johann Zoffany
The Tribuna of the Uffizi (mk25)
1772-80
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Johann Zoffany
Queen Charlotte (mk25)
1771
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Johann Zoffany
George Prince of Wales and Frederick later Duke of York (mk25
c 1765
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Johann Zoffany
The Triumph of Venus
mk53
1760
Oil on cannvas
125x171cm
Bordeaux,Musee des Beaux-Arts
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Johann Zoffany
Self-Portrait as a Monk
mk52
1779
Oil on wood
43x36.6cm
Galleria Nazionale,Parma
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Johann Zoffany
Self-Portrait with Hourglass
mk68
Oil on wood
Florence,Uffizi,
C.1776
Germany
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Johann Zoffany
Mrs Oswald
mk170
1763-1764
Oil on canvas
226.5x158.8cm
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Johann Zoffany
David Garrick as Macbeth and Hannah Pritchard as Lady Macbeth
mk173
Oil on canvas
102x127.5cm
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Johann Zoffany
fruit state in Florence
mk186
around 1777 London deed Gallery
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Johann Zoffany
The visit in the lord
mk186
1746 New York, Metropolitan museum
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Johann Zoffany
A view of the grounds of Hampton House
mk190
1762
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Johann Zoffany
A View of the grounds of Hampton House with Mrs and Mrs Garrick taking tea
mk190
1762
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Johann Zoffany
Self portrait as David with the head of Goliath,
Self-portrait as David with the head of Goliath, 1756
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Johann Zoffany
The Tribuna of the Uffizi,
The Tribuna of the Uffizi, by Johan Zoffany, 1772-8, Royal Collection, Windsor.
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Johann Zoffany
Charles Towneley and friends in his library,
Charles Towneley and friends in his library, by Zoffany
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Johann Zoffany
lord willoughby and his family. c.
1775
collection lord willoughby de broke
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Johann Zoffany
lord willoughby and his family, c.
1775
collection lord willoughby de broke
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Johann Zoffany
Charles Towneley in his Sculpture Gallery
1782
Oil on canvas
127 x 102 cm
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| Johann Zoffany
|
German
(Resident in Britain)
1734-1810
Johann Zoffany Galleries
Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.
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