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Johann Heinrich Fuseli
The Nightmare
mk156
1781
Oil on canvas
101.6x127cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Dante and Virgil on the Ice of Kocythos
390 x 274 mm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Ezzelin and Meduna
1779
Oil on canvas,
45,7 x 50,8 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
The Shepherd-s Dream
1793
Oil on canvas,
154,5 x 215,5 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
The Shepherd's Dream
1793 Oil on canvas, 154,5 x 215,5 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Silence
1799-1801 Oil on canvas, 63,5 x 51,5 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Lady Macbeth with the Daggers
1812 Oil on canvas, 101,6 x 127 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
The Artist Moved by the Grandeur of Antique Fragments
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Brunhilde Observing Gunther
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Liegende Nackte und Klavierspielerin
71 ?? 99 cm (27.95 ?? 38.98 in)
1799-1800
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Titania liebkost den eselkopfigen Bottom
1793/1794
169 ?? 135 cm (66.54 ?? 53.15 in)
Oil on canvas
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
The Nightmare
Oil on canvas
101,6 ?? 127 cm
1781
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Titania is leevtallig met Bottom met de daare Eselkopp
Medium Oil on canvas
Dimensions 169 x 135 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Nachtmahr
Medium Oil on canvas
Dimensions 101,6 x 127 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Liegende Nackte und Klavierspielerin
1799-1800
Oil on canvas
71 x 99 cm (27.95 x 38.98 in)
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
cauchemar
mk289 1781 detroit the detroit lnstiute of arts
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Liegende Nackte und Klavierspielerin
Date 1799-1800
Dimensions 71 x 99 cm
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
Sleep and Death carrying away Sarpedon of Lycia
Date 1803
Medium Oil on canvas
Dimensions Deutsch: 91,4 X 71 cm
cyf
1741-1825
Romanticism Swiss
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Johann Heinrich Fuseli
The Awakening of the Fairy Queen Titania
Date 1775-1790
Medium Oil on canvas
Dimensions Deutsch: 222 x 280 cm
cjr
1741-1825
Romanticism Swiss
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| Johann Heinrich Fuseli
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1741-1825
Romanticism Swiss
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