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Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

 

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Jean Baptiste Camille  Corot Vue pres de Volterra (mk11) oil painting

Painting ID::  21028

X 
 

Jean Baptiste Camille Corot
Vue pres de Volterra (mk11)
1838 Washington National Gallery of Art
   
   
     

 

 

Jean Baptiste Camille  Corot Site des environs de Naple (mk11) oil painting

Painting ID::  21029

X 
 

Jean Baptiste Camille Corot
Site des environs de Naple (mk11)
1841 Spring field,Mass,Museum of Fine Arts
   
   
     

 

 

Jean Baptiste Camille  Corot L'eglise de Lormes (mk11) oil painting

Painting ID::  21030

X 
 

Jean Baptiste Camille Corot
L'eglise de Lormes (mk11)
1840/1845 Hartford,Wadsworth Atheneum
   
   
     

 

 

Jean Baptiste Camille  Corot Rosny-sur-Seine (mk11) oil painting

Painting ID::  21031

X 
 

Jean Baptiste Camille Corot
Rosny-sur-Seine (mk11)
leglise du village -1844 Rosemont,N.Y collection Mr.and Mrs L.B Wescott
   
   
     

 

 

Jean Baptiste Camille  Corot Saint-Andre en Morvan (mk11) oil painting

Painting ID::  21032

X 
 

Jean Baptiste Camille Corot
Saint-Andre en Morvan (mk11)
1842 Paris Musee du Louvre
   
   
     

 

 

Jean Baptiste Camille  Corot Paysans sous les arbres au soleil levant (mk11) oil painting

Painting ID::  21033

X 
 

Jean Baptiste Camille Corot
Paysans sous les arbres au soleil levant (mk11)
Morvan -1840/1845 Londres,National Gallery
   
   
     

 

 

Jean Baptiste Camille  Corot Les maisons Cabassud (mk11) oil painting

Painting ID::  21034

X 
 

Jean Baptiste Camille Corot
Les maisons Cabassud (mk11)
Ville-d'Avray-vers 1845 Paris,collection privee
   
   
     

 

 

Jean Baptiste Camille  Corot Le quai des Paquis (mk11) oil painting

Painting ID::  21035

X 
 

Jean Baptiste Camille Corot
Le quai des Paquis (mk11)
entre 1859 et 1863 Geneve Musee d'art et d'histoire
   
   
     

 

 

Jean Baptiste Camille  Corot Mornex (mk11) oil painting

Painting ID::  21036

X 
 

Jean Baptiste Camille Corot
Mornex (mk11)
Haute-Savoie,effet du matin-1840/1850 Upperville,Virginie,collection M.et M Paul Mellon
   
   
     

 

 

Jean Baptiste Camille  Corot Moisson dans une vallee (mk11) oil painting

Painting ID::  21037

X 
 

Jean Baptiste Camille Corot
Moisson dans une vallee (mk11)
1842 Lyon Musee des Beaux-Arts
   
   
     

 

 

Jean Baptiste Camille  Corot Tivoli (mk11) oil painting

Painting ID::  21038

X 
 

Jean Baptiste Camille Corot
Tivoli (mk11)
Les Jardins de la Villa d'Este-1843 Paris,Musee du Louvre
   
   
     

 

 

Jean Baptiste Camille  Corot Le chevrier de Genzano (mk11) oil painting

Painting ID::  21039

X 
 

Jean Baptiste Camille Corot
Le chevrier de Genzano (mk11)
1843 Washington,The Phillips Collection
   
   
     

 

 

Jean Baptiste Camille  Corot La petite Jeannette (mk11) oil painting

Painting ID::  21040

X 
 

Jean Baptiste Camille Corot
La petite Jeannette (mk11)
vers 1848 Geneve,collection privee
   
   
     

 

 

Jean Baptiste Camille  Corot Marietta (mk11) oil painting

Painting ID::  21041

X 
 

Jean Baptiste Camille Corot
Marietta (mk11)
l'odalisque romaine-1843 paris,Musee du Petit Palais
   
   
     

 

 

Jean Baptiste Camille  Corot Homere et les bergers (mk11) oil painting

Painting ID::  21042

X 
 

Jean Baptiste Camille Corot
Homere et les bergers (mk11)
1845 Saint-Lo,Musee d'Art
   
   
     

 

 

Jean Baptiste Camille  Corot Le bapteme du Christ (mk11) oil painting

Painting ID::  21043

X 
 

Jean Baptiste Camille Corot
Le bapteme du Christ (mk11)
1847 Paris,eglise Saint-Nicolas-du-Chardonnet
   
   
     

 

 

Jean Baptiste Camille  Corot Portrait de Madame Charmois (mk11) oil painting

Painting ID::  21044

X 
 

Jean Baptiste Camille Corot
Portrait de Madame Charmois (mk11)
nee Claire Sennegon -vers 1845 Paris Musee du Louvre
   
   
     

 

 

Jean Baptiste Camille  Corot La blonde Gasconne (mk11) oil painting

Painting ID::  21045

X 
 

Jean Baptiste Camille Corot
La blonde Gasconne (mk11)
vers 1850 Northampton, Mass,Smith College Museum of Art
   
   
     

 

 

Jean Baptiste Camille  Corot Moissonneuse tenant sa faucille (mk11) oil painting

Painting ID::  21046

X 
 

Jean Baptiste Camille Corot
Moissonneuse tenant sa faucille (mk11)
la tete appuyee sur la main-1838 Topsfield,Mass,collection M.William A Coolidge
   
   
     

 

 

Jean Baptiste Camille  Corot Le port de La Rochelle (mk11) oil painting

Painting ID::  21047

X 
 

Jean Baptiste Camille Corot
Le port de La Rochelle (mk11)
1851 New Haven,conn,Yale University Art Gallery
   
   
     

 

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Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.