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Jean-Baptiste Perronneau
(Paris, c. 1715 - Amsterdam, 19 November 1783) was a French painter who specialized in portraits executed in pastels. Perronneau began his career as an engraver, apparently studying with Laurent Cars, whose portrait he drew, and working for the entrepreneurial printseller Gabriel Huquier, rue Saint-Jacques, Paris, making his first portraits in oils, and especially in pastels, in the 1740s. His career was much in the shadow of the master of the French pastel portrait, Maurice Quentin de La Tour. In the Salon of 1750, Perronneau exhibited his pastel portrait of Maurice-Quentin de la Tour, but found to his dismay that La Tour was exhibiting his own self portrait, perhaps a malicious confrontation to demonstrate his superiority in the technique. He made his Salon debut with a pastel portrait in 1746 and received full membership in the Academie Royale de Peinture et de Sculpture in 1753, with portraits of fellow artist Jean-Baptiste Oudry and the sculptor Lambert-Sigisbert Adam, both now at the Louvre Museum. After 1779 he no longer exhibited in the Paris Salons, but the clientele in his portraits reveal how widely he travelled in the provinces of France, with a group of sitters connected with Orleans, but also in Toulouse, Bordeaux, Lyon. Farther afield he may have been in Turin and Rome, and in Spain, Hamburg, Poland, Russia and England. He died in Amsterdam virtually unknown, according to his biographers.

 

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Jean-Baptiste Perronneau Madame de Sorquainville oil painting

Painting ID::  74907

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Jean-Baptiste Perronneau
Madame de Sorquainville
1749(1749) Oil on canvas 101 X 81 cm (39.76 X 31.89 in) cjr
   
   
     

 

 

Jean-Baptiste Perronneau Madame de Sorquainville oil painting

Painting ID::  76459

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Jean-Baptiste Perronneau
Madame de Sorquainville
Date 1749(1749) Medium Oil on canvas Dimensions 101 ?? 81 cm (39.8 ?? 31.9 in) cyf
   
   
     

 

 

Jean-Baptiste Perronneau Portrait of Magdaleine Pinceloup de la Grange, nee de Parseval oil painting

Painting ID::  77562

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Jean-Baptiste Perronneau
Portrait of Magdaleine Pinceloup de la Grange, nee de Parseval
1747(1747) Oil on canvas 64.9 ?? 52.5 cm (25.6 ?? 20.7 in) cjr
   
   
     

 

 

Jean-Baptiste Perronneau Portrait of Charles le Normant du Coudray oil painting

Painting ID::  78686

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Jean-Baptiste Perronneau
Portrait of Charles le Normant du Coudray
ca. 1760(1760) Oil on canvas 62 x 48 cm (24.4 x 18.9 in) cjr
   
   
     

 

 

Jean-Baptiste Perronneau Jacques Cazotte oil painting

Painting ID::  79213

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Jean-Baptiste Perronneau
Jacques Cazotte
Oil on canvas Dimensions 92.1 x 73 cm (36.3 x 28.7 in) cyf
   
   
     

 

 

Jean-Baptiste Perronneau Jacques Cazotte oil painting

Painting ID::  79970

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Jean-Baptiste Perronneau
Jacques Cazotte
Oil on canvas Dimensions 92.1 x 73 cm (36.3 x 28.7 in) cyf
   
   
     

 

 

Jean-Baptiste Perronneau Jacques Cazotte oil painting

Painting ID::  80291

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Jean-Baptiste Perronneau
Jacques Cazotte
English: c. 1760-1765 Français : vers 1760-1765 xxxxxxx: xx. 1760-1765 Medium Oil on canvas Dimensions 92.1 x 73 cm (36.3 x 28.7 in) cyf
   
   
     

 

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Jean-Baptiste Perronneau
(Paris, c. 1715 - Amsterdam, 19 November 1783) was a French painter who specialized in portraits executed in pastels. Perronneau began his career as an engraver, apparently studying with Laurent Cars, whose portrait he drew, and working for the entrepreneurial printseller Gabriel Huquier, rue Saint-Jacques, Paris, making his first portraits in oils, and especially in pastels, in the 1740s. His career was much in the shadow of the master of the French pastel portrait, Maurice Quentin de La Tour. In the Salon of 1750, Perronneau exhibited his pastel portrait of Maurice-Quentin de la Tour, but found to his dismay that La Tour was exhibiting his own self portrait, perhaps a malicious confrontation to demonstrate his superiority in the technique. He made his Salon debut with a pastel portrait in 1746 and received full membership in the Academie Royale de Peinture et de Sculpture in 1753, with portraits of fellow artist Jean-Baptiste Oudry and the sculptor Lambert-Sigisbert Adam, both now at the Louvre Museum. After 1779 he no longer exhibited in the Paris Salons, but the clientele in his portraits reveal how widely he travelled in the provinces of France, with a group of sitters connected with Orleans, but also in Toulouse, Bordeaux, Lyon. Farther afield he may have been in Turin and Rome, and in Spain, Hamburg, Poland, Russia and England. He died in Amsterdam virtually unknown, according to his biographers.