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Jacopo Bassano
Adoration of the magi
Adoration of the magi, around 1563/1564, oil on canvas, Kunsthistorisches Museum, Vienna
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Jacopo Bassano
Portrait of a Franciscan Friar
oil on canvas painting by Jacopo Bassano
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Jacopo Bassano
The Supper at Emmaus
Oil on canvas; 100.6 x 128.6 cm
cjr
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Jacopo Bassano
The Supper at Emmaus
Oil on canvas; 100.6 x 128.6 cm
c. 1538
cjr
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Jacopo Bassano
Mannliches Bildnis
oil on canvas
Dimensions 43.5 x 40.5 cm (17.1 x 15.9 in)
cyf
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Jacopo Bassano
The Crucifixion
16th century
Medium oil on canvas
Dimensions 194 x 136.5 cm (76.4 x 53.7 in)
cyf
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Jacopo Bassano
Paradiso terrestre
Date circa 1573(1573)
Medium oil on canvas
cyf
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Jacopo Bassano
The Adoration of the Shepherds
between 1544(1544) and 1545(1545)
Medium oil on canvas
cyf
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Jacopo Bassano
The Adoration of the Shepherds
circa 1550(1550)
Medium oil on canvas
cyf
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Jacopo Bassano
The Adoration of the Shepherds
between 1590(1590) and 1591(1591)
Medium oil on canvas
cyf
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Jacopo Bassano
Return of Jacob with His Family
circa 1580(1580)
Medium oil on canvas
cyf
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Jacopo Bassano
St Jerome
1556(1556)
Medium oil on canvas
cyf
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Jacopo Bassano
Anbetung der Heiligen Drei Konige
1562(1562)
Medium oil on canvas
Dimensions Deutsch: 92,3 x 117,5 cm
cyf
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Jacopo Bassano
The Purification of the Temple
1580
Medium oil on canvas
Dimensions 158.7 x 265 cm.
cyf
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Jacopo Bassano
Entry into the Ark
1575-80
Medium oil on canvas
cyf
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Jacopo Bassano
The Adoration of the Magi
between 1580(1580) and 1585(1585)
Medium oil on slate
cyf
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| Jacopo Bassano
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Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
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