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Henri Fantin-Latour
studio at batignolles
mk247
1870,oil on canvsa,80x108 in,203x274.5 cm,musee d orsay,paris,france
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Henri Fantin-Latour
roses in a dish
mk247
1882,oil on canvas,14.375x12.125 in,36.5x46 cm,musee d orsay,paris,france
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Henri Fantin-Latour
shepherd of the week
mk250 year in 1645-1650. Oil painting on cloth, about 107 x 137 cm. The Louvre in Paris.
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Henri Fantin-Latour
Charlotte Dubourg
Charlotte Dubourg, 1882. (Subject is the artist's
sister-in-law.)
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Henri Fantin-Latour
Edouard Manet,
Edouard Manet,
1867.
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Henri Fantin-Latour
White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth
White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth, 1867.
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Henri Fantin-Latour
Vase of Roses
Vase of Roses,
1875.
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Henri Fantin-Latour
Marie Yolande de Fitz James,
Marie-Yolande de Fitz-James,
1867.
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Henri Fantin-Latour
The Dubourg Family
The Dubourg Family,
1878.
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Henri Fantin-Latour
Still Life with Flowers
Still Life with Flowers
and Fruit, 1865.
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Henri Fantin-Latour
White Roses,
White Roses,
1875.
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Henri Fantin-Latour
Still Life, Corner of a Table,
Still Life, Corner of a Table,
1873.
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Henri Fantin-Latour
Still Life with Peaches,
Still Life with Peaches,
1880
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Henri Fantin-Latour
Still Life,
Still Life,
1866.
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Henri Fantin-Latour
Glass, Silver Goblet and Cup of Champagne
Still Life: Glass, Silver Goblet and Cup of Champagne, 1860
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Henri Fantin-Latour
Le Soir
Le Soir,
n.d.
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Henri Fantin-Latour
Naiade
Naiade,
n.d.
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Henri Fantin-Latour
Around the Table
Around the Table (Writers), 1872.
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Henri Fantin-Latour
Un atelier aux Batignolles
Un atelier aux Batignolles,
1870
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Henri Fantin-Latour
A Plate of Apples,
A Plate of Apples,
1861
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| Henri Fantin-Latour
|
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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