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Francisco de Zurbaran
adoration of st
joseph, around 1629
oil on canvas, 124x104.5cm
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Francisco de Zurbaran
epiphany
around 1629
oil on canvas, 124x104.5cm
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Francisco de Zurbaran
the flight from egypt
around 1629
oil on canvas 125x105cm
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Francisco de Zurbaran
immaculate virgin
1630
oil on canvas, 174x138cm
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Francisco de Zurbaran
the blessed alonso rodriguezas vision
1630
oil on canvas, 266x167cm
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Francisco de Zurbaran
the girl virgin asleep
1625-30
oil on canvas, 109x90cm
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Francisco de Zurbaran
agustin
1625-30
oil on board 42.5x29.5cm
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Francisco de Zurbaran
birth of the virgin
1625-30
oil on canvas, 141x109cm
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Francisco de Zurbaran
diego de deza, archbishop of seville
1625-30
oil on canvas, 174x143cm
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Francisco de Zurbaran
the holy family, st. joaquim and st.
1625-1630
oil on canvas, 136x128cm
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Francisco de Zurbaran
immaculate virgin
1625-30
oil on canvas, 139x104cm
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Francisco de Zurbaran
immaculate virgin
1625-1630
oil on canvas, 100x75cm
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Francisco de Zurbaran
the apotheosis of st
1631. oil on canvas, 473x375cm
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Francisco de Zurbaran
immaculate virgin
1632
oil on canvas, 252x168cm
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Francisco de Zurbaran
child of the thorn
1625-1630
oil on canvas, 128x85cm
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Francisco de Zurbaran
the defense of caadiz against the english
1634
oil on canvas302x323cm
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Francisco de Zurbaran
hercules fighting the hydra of lerna
1634,
oil on canvas, 133x167cm
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Francisco de Zurbaran
still life
1633
oil on canvas, 60x107cm
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Francisco de Zurbaran
hercules and the cretan bull
1634
oil on canvas, 133x152cm
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Francisco de Zurbaran
lorenzo
1636
oil on canvas, 292x226cm
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| Francisco de Zurbaran
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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