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Oil Paintings Come From United Kingdom
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Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

 

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Francisco de Zurbaran Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose oil painting

Painting ID::  84133

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Francisco de Zurbaran
Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose
Date 1633(1633) Medium Oil on canvas Dimensions Deutsch: 60 x 107 cm cjr
   
   
     

 

 

Francisco de Zurbaran Apotheose des Hl. Thomas von Aquin oil painting

Painting ID::  84480

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Francisco de Zurbaran
Apotheose des Hl. Thomas von Aquin
Date 1631(1631) Medium Oil on canvas cjr
   
   
     

 

 

Francisco de Zurbaran Hochaltar des Kartauserkloster Nuestra Senora de la Defension in Jerez de la Frontera, Szene: Hl. Lorenzo oil painting

Painting ID::  84750

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Francisco de Zurbaran
Hochaltar des Kartauserkloster Nuestra Senora de la Defension in Jerez de la Frontera, Szene: Hl. Lorenzo
c. 1638 Medium Oil on canvas Dimensions Deutsch: 60 x 79 cm cjr
   
   
     

 

 

Francisco de Zurbaran Retrato del doctor Juan Martenez Serrano oil painting

Painting ID::  85095

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Francisco de Zurbaran
Retrato del doctor Juan Martenez Serrano
1631-40 Medium Oil on canvas Dimensions 193 x 107 cm (76 x 42.1 in) cyf
   
   
     

 

 

Francisco de Zurbaran Der Hl. Hugo im Kartauserkloster, Detail oil painting

Painting ID::  85323

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Francisco de Zurbaran
Der Hl. Hugo im Kartauserkloster, Detail
Date 1630-1635 Medium Oil on canvas cjr
   
   
     

 

 

Francisco de Zurbaran Christus am Kreuz oil painting

Painting ID::  85813

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Francisco de Zurbaran
Christus am Kreuz
Date 1627(1627) Medium Oil on canvas Dimensions Deutsch: 290 x 168 cm cjr
   
   
     

 

 

Francisco de Zurbaran Barmherzigkeit des Fra Martin de Vizcaya, Detail oil painting

Painting ID::  85815

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Francisco de Zurbaran
Barmherzigkeit des Fra Martin de Vizcaya, Detail
Date 1639(1639) Medium Oil on canvas cjr
   
   
     

 

 

Francisco de Zurbaran Apotheose des Hl. Thomas von Aquin oil painting

Painting ID::  86450

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Francisco de Zurbaran
Apotheose des Hl. Thomas von Aquin
Date 1631(1631) Medium Oil on canvas Dimensions Deutsch: 475 x 375 cm cjr
   
   
     

 

 

Francisco de Zurbaran Unbefleckte Empfangnis oil painting

Painting ID::  86771

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Francisco de Zurbaran
Unbefleckte Empfangnis
Date 1661(1661) Medium Oil on canvas Dimensions 136 x 102 cm cjr
   
   
     

 

 

Francisco de Zurbaran La Inmaculada Concepcion oil painting

Painting ID::  86969

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Francisco de Zurbaran
La Inmaculada Concepcion
1661(1661) Medium Oil on canvas Dimensions 136 x 102 cm cyf
   
   
     

 

 

Francisco de Zurbaran Vision des Alonso Rodriguez oil painting

Painting ID::  87152

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Francisco de Zurbaran
Vision des Alonso Rodriguez
Date 1630(1630) Medium Oil on canvas Dimensions 266 x 167 cm cjr
   
   
     

 

 

Francisco de Zurbaran Plato con limones cesta con naranjas y taza con una rosa oil painting

Painting ID::  87956

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Francisco de Zurbaran
Plato con limones cesta con naranjas y taza con una rosa
1633(1633) Medium Oil on canvas Dimensions Deutsch: 60 x 107 cm cyf
   
   
     

 

 

Francisco de Zurbaran Die Verteidigung von Cadiz oil painting

Painting ID::  88084

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Francisco de Zurbaran
Die Verteidigung von Cadiz
1634(1634) Medium Oil on canvas cjr
   
   
     

 

 

Francisco de Zurbaran Saint Luke as a painter, before Christ on the Cross oil painting

Painting ID::  88146

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Francisco de Zurbaran
Saint Luke as a painter, before Christ on the Cross
1635-1640 Medium Oil on canvas Dimensions Deutsch: 105 x 84 cm cjr
   
   
     

 

 

Francisco de Zurbaran Thomas von Aquin oil painting

Painting ID::  88350

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Francisco de Zurbaran
Thomas von Aquin
1631(1631) Medium Oil on canvas cyf
   
   
     

 

 

Francisco de Zurbaran Versuchung des Fra Diego de Orgaz oil painting

Painting ID::  88478

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Francisco de Zurbaran
Versuchung des Fra Diego de Orgaz
c. 1639 Medium Oil on canvas Dimensions Deutsch: 290 x 222 cm cjr
   
   
     

 

 

Francisco de Zurbaran Lorenzo oil painting

Painting ID::  88672

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Francisco de Zurbaran
Lorenzo
Oil on canvas Dimensions Deutsch: 60 x 79 cm cyf
   
   
     

 

 

Francisco de Zurbaran Hugo im Kartauserkloster oil painting

Painting ID::  89531

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Francisco de Zurbaran
Hugo im Kartauserkloster
1630-1635 Medium oil on canvas cyf
   
   
     

 

 

Francisco de Zurbaran Portrat des Fra Gonzalo de Illescas oil painting

Painting ID::  89562

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Francisco de Zurbaran
Portrat des Fra Gonzalo de Illescas
1639(1639) Medium oil on canvas Dimensions Deutsch: 290 x 222 cm cjr
   
   
     

 

 

Francisco de Zurbaran Hl. Casilda von Toledo oil painting

Painting ID::  89563

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Francisco de Zurbaran
Hl. Casilda von Toledo
c. 1640 Medium oil on canvas Dimensions Deutsch: 184 x 90 cm cjr
   
   
     

 

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Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..