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Ferdinand Hodler
1853-1918 Swiss Ferdinand Hodler Galleries Hodler was born in Berne and grew up in poverty. His father, Jean Hodler, made a meager living as a carpenter; his mother, Marguerite (n??e Neukomm), was from a peasant family. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis. His mother remarried to a decorative painter, but in 1867 she too died of tuberculosis. Before he was ten, Hodler received training in decorative painting from his stepfather, and was subsequently sent to Thun to apprentice with a local painter, Ferdinand Sommer. Hodler's earliest works were conventional landscapes, which he sold in shops and to tourists. In 1871, at the age of 18, he traveled on foot to Geneva to start a career as a painter. The works of Hodler's early maturity consisted of landscapes, figure compositions and portraits, treated with a vigorous realism. He made a trip to Basel in 1875, where he studied the paintings of Hans Holbein??especially Dead Christ in the Tomb, which influenced Hodler's many treatments of the theme of death. In the last decade of the 19th century his work evolved to combine influences from several genres including symbolism and art nouveau. He developed a style which he called Parallelism, characterized by groupings of figures symmetrically arranged in poses suggesting ritual or dance. In 1884 Hodler met Augustine Dupin (1852?C1909), who became his companion and model for the next several years. Their son, Hector Hodler, was born in 1887. In 1889 Hodler married Bertha Stucki; they were divorced in 1891. Hodler's work in his final phase took on an expressionist aspect with strongly coloured and geometrical figures. Landscapes were pared down to essentials, sometimes consisting of a jagged wedge of land between water and sky. However, the most famous of Hodler's paintings portray scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzfaller, Mus??e d'Orsay, Paris). This picture went on to appear on the back of the 50 Swiss Franc bank note issued by the Swiss National Bank. In 1898, Hodler married Berthe Jacques. In 1914 he condemned the German atrocities conducted using artillery at Rheims. In retaliation for this, German art museums excluded Hodler's work. In 1908 he met Valentine Gode-Darel, who became his mistress. She was diagnosed with cancer in 1913, and the many hours Hodler spent by her bedside resulted in a remarkable series of paintings documenting her disintegration. Her death in January 1915 affected Hodler greatly. He occupied himself with work; a series of about 20 introspective self-portraits date from 1916. By late 1917 his declining health led him to thoughts of suicide. He died on May 19, 1918 in Geneva leaving behind a number of unfinished works portraying the city.

 

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Ferdinand Hodler Genfersee mit Mont-Blanc im Morgenrot oil painting

Painting ID::  83449

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Ferdinand Hodler
Genfersee mit Mont-Blanc im Morgenrot
Date 1918(1918) Medium Oil on canvas Dimensions 74,5 x 150 cm cjr
   
   
     

 

 

Ferdinand Hodler Rhythmische Landschaft am Genfersee oil painting

Painting ID::  83450

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Ferdinand Hodler
Rhythmische Landschaft am Genfersee
Date 1908(1908) Medium Oil on canvas Dimensions 67 x 91 cm cjr
   
   
     

 

 

Ferdinand Hodler Abendnebel am Thunersee oil painting

Painting ID::  83451

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Ferdinand Hodler
Abendnebel am Thunersee
Date 1908(1908) Medium Oil on canvas Dimensions 68 x 93 cm cjr
   
   
     

 

 

Ferdinand Hodler Thunersee mit Stockhornkette oil painting

Painting ID::  83883

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Ferdinand Hodler
Thunersee mit Stockhornkette
Date c. 1913 Medium Oil on canvas Dimensions 59,5 x 89 cm cjr
   
   
     

 

 

Ferdinand Hodler Der Grammont oil painting

Painting ID::  83884

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Ferdinand Hodler
Der Grammont
Date 1905(1905) Medium Oil on canvas Dimensions 65 x 105,5 cm cjr
   
   
     

 

 

Ferdinand Hodler Stockhornkette mit Thunersee oil painting

Painting ID::  84615

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Ferdinand Hodler
Stockhornkette mit Thunersee
1904/1913 Medium Oil on canvas cyf
   
   
     

 

 

Ferdinand Hodler Der Genfersee von St Prex aus oil painting

Painting ID::  87075

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Ferdinand Hodler
Der Genfersee von St Prex aus
1901(1901) Medium Oil on canvas Dimensions 72 x107 cm cyf
   
   
     

 

 

Ferdinand Hodler Thunersee mit Stockhornkette oil painting

Painting ID::  87077

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Ferdinand Hodler
Thunersee mit Stockhornkette
1904(1904) Medium Oil on canvas Dimensions 71 x 105 cm cyf
   
   
     

 

 

Ferdinand Hodler Sonnenuntergang am Genfersee von Caux aus oil painting

Painting ID::  87078

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Ferdinand Hodler
Sonnenuntergang am Genfersee von Caux aus
1917(1917) Medium Oil on canvas Dimensions 60 x 80 cm cyf
   
   
     

 

 

Ferdinand Hodler Genfersee von Chexbres aus oil painting

Painting ID::  87080

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Ferdinand Hodler
Genfersee von Chexbres aus
1911(1911) Medium Oil on canvas Dimensions 80 x 129 cm cyf
   
   
     

 

 

Ferdinand Hodler Thunersee mit symmetrischer Spiegelung vor Sonnenaufgang oil painting

Painting ID::  87081

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Ferdinand Hodler
Thunersee mit symmetrischer Spiegelung vor Sonnenaufgang
1904(1904) Medium Oil on canvas Dimensions 89 x 100 cm cyf
   
   
     

 

 

Ferdinand Hodler Thunersee mit Stockhornkette oil painting

Painting ID::  87734

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Ferdinand Hodler
Thunersee mit Stockhornkette
1913 Medium Oil on canvas Dimensions 59,5 x 89 cm cyf
   
   
     

 

 

Ferdinand Hodler The Reader oil painting

Painting ID::  90110

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Ferdinand Hodler
The Reader
c. 1885(1885) Medium oil on canvas Dimensions 31 x 38 cm (12.2 x 15 in) cjr
   
   
     

 

 

Ferdinand Hodler Portrat der Berthe Jacques, Frau des Kunstlers oil painting

Painting ID::  90235

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Ferdinand Hodler
Portrat der Berthe Jacques, Frau des Kunstlers
1894(1894) Medium oil on canvas Dimensions Deutsch: 33,5 x 28 cm cjr
   
   
     

 

 

Ferdinand Hodler Der Genfersee von Lausanne aus oil painting

Painting ID::  90466

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Ferdinand Hodler
Der Genfersee von Lausanne aus
1912(1912) Medium oil on canvas Dimensions 66 x 87 cm (26 x 34.3 in) cyf
   
   
     

 

 

Ferdinand Hodler ie Dents du Midi von Caux aus oil painting

Painting ID::  90467

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Ferdinand Hodler
ie Dents du Midi von Caux aus
1917(1917) Medium oil on canvas Dimensions 60 x 80 cm cyf
   
   
     

 

 

Ferdinand Hodler Monch und Jungfrau im Mondschein oil painting

Painting ID::  90859

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Ferdinand Hodler
Monch und Jungfrau im Mondschein
1908(1908) Medium oil on canvas Dimensions 72 x 67,5 cm cyf
   
   
     

 

 

Ferdinand Hodler The Halberdier oil painting

Painting ID::  91901

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Ferdinand Hodler
The Halberdier
1895(1895) Medium Oil and graphite on canvas Dimensions 331.5 cm x 125.7 cm cjr
   
   
     

 

 

Ferdinand Hodler Le Jour III oil painting

Painting ID::  92465

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Ferdinand Hodler
Le Jour III
c. 1910 TTD
   
   
     

 

 

Ferdinand Hodler Bergbach bei Champery oil painting

Painting ID::  92831

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Ferdinand Hodler
Bergbach bei Champery
1916(1916) Medium oil on canvas Dimensions 82 x 98 cm cjr
   
   
     

 

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Ferdinand Hodler
1853-1918 Swiss Ferdinand Hodler Galleries Hodler was born in Berne and grew up in poverty. His father, Jean Hodler, made a meager living as a carpenter; his mother, Marguerite (n??e Neukomm), was from a peasant family. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis. His mother remarried to a decorative painter, but in 1867 she too died of tuberculosis. Before he was ten, Hodler received training in decorative painting from his stepfather, and was subsequently sent to Thun to apprentice with a local painter, Ferdinand Sommer. Hodler's earliest works were conventional landscapes, which he sold in shops and to tourists. In 1871, at the age of 18, he traveled on foot to Geneva to start a career as a painter. The works of Hodler's early maturity consisted of landscapes, figure compositions and portraits, treated with a vigorous realism. He made a trip to Basel in 1875, where he studied the paintings of Hans Holbein??especially Dead Christ in the Tomb, which influenced Hodler's many treatments of the theme of death. In the last decade of the 19th century his work evolved to combine influences from several genres including symbolism and art nouveau. He developed a style which he called Parallelism, characterized by groupings of figures symmetrically arranged in poses suggesting ritual or dance. In 1884 Hodler met Augustine Dupin (1852?C1909), who became his companion and model for the next several years. Their son, Hector Hodler, was born in 1887. In 1889 Hodler married Bertha Stucki; they were divorced in 1891. Hodler's work in his final phase took on an expressionist aspect with strongly coloured and geometrical figures. Landscapes were pared down to essentials, sometimes consisting of a jagged wedge of land between water and sky. However, the most famous of Hodler's paintings portray scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzfaller, Mus??e d'Orsay, Paris). This picture went on to appear on the back of the 50 Swiss Franc bank note issued by the Swiss National Bank. In 1898, Hodler married Berthe Jacques. In 1914 he condemned the German atrocities conducted using artillery at Rheims. In retaliation for this, German art museums excluded Hodler's work. In 1908 he met Valentine Gode-Darel, who became his mistress. She was diagnosed with cancer in 1913, and the many hours Hodler spent by her bedside resulted in a remarkable series of paintings documenting her disintegration. Her death in January 1915 affected Hodler greatly. He occupied himself with work; a series of about 20 introspective self-portraits date from 1916. By late 1917 his declining health led him to thoughts of suicide. He died on May 19, 1918 in Geneva leaving behind a number of unfinished works portraying the city.